Reading Contemporary Performance: Theatricality Across Genres.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
Works matching IS 10542043 AND DT 2017 AND VI 61 AND IP 2
Results: 23
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Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
3
Method Acting and Its Discontents: On American Psycho-Drama.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
4
Loose Screws: Nine New Plays from Poland.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
5
Theatre & Law.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
6
Etienne Decroux and His Theatre Laboratory.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
7
The Transparent Traveler: The Performance and Culture of Airport Security.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
8
Playing God: The Bible on the Broadway Stage.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
9
Performing Policy: How Contemporary Politics and Cultural Programs Redefined U.S. Artists for the Twenty-First Century.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
10
The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
11
Watching Weimar Dance.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
12
Performance and Media: Taxonomies for a Changing Field.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
13
Donald John Trump, President?
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 7, doi. 10.1162/DRAM_e_00644
- By:
- Publication type:
- Article
14
"Madness Is Contagious" Language and Violence in the Goodman Theatre's 2666.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 166, doi. 10.1162/DRAM_a_00654
- By:
- Publication type:
- Article
15
Joël Pommerat Stages the French Revolution: Ça ira: Fin de Louis, I.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 158, doi. 10.1162/DRAM_a_00653
- By:
- Publication type:
- Article
16
Defecting Witness: The Difficulty in Watching Regina José Galindo's PERRA.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 140, doi. 10.1162/DRAM_a_00652
- By:
- Publication type:
- Article
17
Choreographing Freedom: Mass Performance in the Festivals of the French Revolution.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 117, doi. 10.1162/DRAM_a_00651
- By:
- Publication type:
- Article
18
A Stage Presence: Michael Kirby's Embedded Sculptures.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 105, doi. 10.1162/DRAM_a_00650
- By:
- Publication type:
- Article
19
No More Bystanders: Grandchildren of Hiroshima and the 70th Anniversary of the Atomic Bomb.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 87, doi. 10.1162/DRAM_a_00649
- By:
- Publication type:
- Article
20
Memoryscapes of Race: Black Radical Parading Cultures of New Orleans.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 71, doi. 10.1162/DRAM_a_00648
- By:
- Publication type:
- Article
21
A Traveling Script: Labor Migration, Precarity, and Performance.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 48, doi. 10.1162/DRAM_a_00647
- By:
- Publication type:
- Article
22
Fragments of the European Refugee Crisis: Performing Displacement and the Re-Shaping of Greek Identity.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 32, doi. 10.1162/DRAM_a_00646
- By:
- Publication type:
- Article
23
Paso Libre: Border Enactment, Infrastructure, and Crisis Resolution at the Port of Laredo 1954-1957.
- Published in:
- TDR: The Drama Review (MIT Press), 2017, v. 61, n. 2, p. 11, doi. 10.1162/DRAM_a_00645
- By:
- Publication type:
- Article