Performance, Technology, and Science.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Works matching IS 10542043 AND DT 2012 AND VI 56 AND IP 2
Results: 21
1
2
The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
3
How to Do Shakespeare.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
4
Reality Principles: From the Absurd to the Virtual.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
5
Theatre Histories: An Introduction / The Cambridge Introduction to Theatre Historiography / Representing the Past: Essays in Performance Historiography.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
6
Grotowski's Empty Room.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
8
Little Did I Know: Excerpts from Memory.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
9
Apollo's Angels: A History of Ballet.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
10
Still the Best Medicine, Even in a War Zone: My Work as a Medical Clown.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 169, doi. 10.1162/DRAM_a_00183
- By:
- Publication type:
- Article
11
Art Is Magic/It Cannot Succeed: Christoph Schlingensief's "Via Intolleranza II."
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
12
An Invitation to Pillage: Witness Relocation's "Heaven on Earth."
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
13
Performance Art at the (Virginia) Margins: Anthony Restivo's "Far Off and All Aflame."
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
14
Making Politics Serve Music: Yu Huiyong, Composer and Minister of Culture.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 152, doi. 10.1162/DRAM_a_00172
- By:
- Publication type:
- Article
15
The Market, Ideology, and Convention: Jingju Performers' Creativity in the 21st Century.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 131, doi. 10.1162/DRAM_a_00171
- By:
- Publication type:
- Article
16
"Brand China" on the World Stage: Jingju, the Olympics, and Globalization.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 113, doi. 10.1162/DRAM_a_00170
- By:
- Publication type:
- Article
17
Theatre's Heterotopia and the Site-Specific Production of "Suitcase."
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
18
Ethnic Identity and Anti-Semitism: Tadeusz Słobodzianek Stages the Polish Taboo.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
19
"What Was the War Like?": Experiencing "Surrender"; Talking with Josh Fox.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 56, doi. 10.1162/DRAM_a_00167
- By:
- Publication type:
- Article
20
"Finland Is Dead, Dead, Dead": Ethics and National Identity in Kristian Smeds's "The Unknown Soldier."
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
21
Reality Enchanted, Contact Mediated: A Story of Gob Squad.
- Published in:
- TDR: The Drama Review (MIT Press), 2012, v. 56, n. 2, p. 8, doi. 10.1162/DRAM_a_00165
- By:
- Publication type:
- Article