X-Ray (1981), the Final Woman, and the Medical Slasher Film.
- Published in:
- Postmodern Culture, 2017, v. 28, n. 1, p. 1, doi. 10.1353/pmc.2017.0011
- By:
- Publication type:
- Article
Works matching IS 10531920 AND DT 2017 AND VI 28 AND IP 1
Results: 10
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To Save Materialism from Itself. A review of Elizabeth Grosz, The Incorporeal:Ontology, Ethics, and the Limits of Materialism.
- Published in:
- 2017
- By:
- Publication type:
- Poem
3
The Unsettled Surface of the Document:Seams, Erosion, and After-images in Charles Reznikoff's Holocaust.
- Published in:
- Postmodern Culture, 2017, v. 28, n. 1, p. 1, doi. 10.1353/pmc.2017.0012
- By:
- Publication type:
- Article
4
The Swarming of Mimesis. A review of William Connolly, Facing the Planetary:Entangled Humanism and the Politics of Swarming.
- Published in:
- 2017
- By:
- Publication type:
- Poem
5
The Final Girl at the U.S.-Mexico Border:The Politics of Saving and Surviving in Undocumented (2010).
- Published in:
- Postmodern Culture, 2017, v. 28, n. 1, p. 1, doi. 10.1353/pmc.2017.0010
- By:
- Publication type:
- Article
6
Revisiting the Final GirlLooking Backwards, Looking Forwards.
- Published in:
- Postmodern Culture, 2017, v. 28, n. 1, p. 1, doi. 10.1353/pmc.2017.0009
- By:
- Publication type:
- Article
7
On Media and Mortality. A review of Marcel O'Gorman, Necromedia.
- Published in:
- 2017
- By:
- Publication type:
- Poem
8
Notes on Contributors.
- Published in:
- Postmodern Culture, 2017, v. 28, n. 1, p. 1, doi. 10.1353/pmc.2017.0008
- Publication type:
- Article
9
Inherent Enchantments. A review of Jeffrey Jerome Cohen's Stone:An Ecology of the Inhuman.
- Published in:
- 2017
- By:
- Publication type:
- Poem
10
Audiences, Publics, Speech. A review of Adair Rounthwaite, Asking the Audience:Participatory Art in 1980s New York.
- Published in:
- 2017
- By:
- Publication type:
- Poem