Toward a Photography of Love: The Tain of the Photograph in Anne Carson's Autobiography of Red.Published in:Postmodern Culture, 2007, v. 17, n. 3, p. 10, doi. 10.1353/pmc.2008.0008By:McCallum, E. L.Publication type:Article
The Swerve Around P: Literary Theory after Interpretation.Published in:2007By:Nealon, Jeffrey T.Publication type:Editorial
Riven: Badiou's Ethical Subject and the Event of Art as Trauma.Published in:2007By:Hughes, RobertPublication type:Editorial
Performance and Politics in Contemporary Poetics: Three Recent Titles from Atelos Press.Published in:2007By:Keenaghan, EricPublication type:Book Review
Narrowing the Range of Permissible Lies: Recent Battles in the International Image Tribunal.Published in:2007By:Hicks, JimPublication type:Editorial
Motor Intentionality: Gestural Meaning in Bill Viola and Merleau-Ponty.Published in:Postmodern Culture, 2007, v. 17, n. 3, p. 5, doi. 10.1353/pmc.2008.0002By:Noland, CarriePublication type:Article
Futures of Negation: Jameson's Archaeologies of the Future and Utopian Science Fiction.Published in:2007By:Wiggins, Kyle A.Publication type:Book Review
BONKS and BLIGHTY? Oh, Tabloid Britain!".Published in:2007By:Miller, BrookPublication type:Book Review
Badiou's Equations--and Inequalities: A Response to Robert Hughes's "Riven.".Published in:2007By:Plotnitsky, ArkadyPublication type:Editorial
Adorno Public and Private.Published in:Postmodern Culture, 2007, v. 17, n. 3, p. 1, doi. 10.1353/pmc.2008.0001By:Hemling, StevenPublication type:Article