Works matching IS 10531920 AND DT 2000 AND VI 10 AND IP 2
Results: 13
Otherness.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0009
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Stuplimity: Shock and Boredom in Twentieth-Century Aesthetics.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0013
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Dada Photomontage and net.art Sitemaps.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0010
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Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0011
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Stop Making Sense: Fuck 'em and Their Law (... It's Only I and O but I Like It...).
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0012
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Utopian Ironies.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0008
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Past, Present and Future: New Historicism versus Cultural Materialism.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0007
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Grotesque Caricature: Stanley Kubrick's Eyes Wide Shut as the Allegory of Its Own Reception.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0006
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Near Collisions: Rhetorical Cultural Studies or a Cultural Rhetorical Studies?
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0005
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Veiled and Revealed.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0002
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The Truth About Pina Bausch: Nature and Fantasy in Carnations.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0004
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Brecht Our (Post-) Contemporary.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0003
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The Critical Idiom of Postmodernity and Its Contributions to an Understanding of Complexity.
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- Postmodern Culture, 2000, v. 10, n. 2, p. 1, doi. 10.1353/pmc.2000.0001
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- Article