The Man with the Flower in His Mouth: A Creative Adaptation for the Classroom.Published in:2017By:BASILE, PAOLAPublication type:Script/Play
Eduardo e Pirandello: Una questione "familiare" nella drammaturgia italiana [Eduardo and Pirandello: A Family Matter in Italian Dramaturgy].Published in:2017By:LUCCI, LAURA A.Publication type:Book Review
Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda.Published in:2017By:BONCI, ROBERTOPublication type:Book Review
Wrong End of the Telescope: A Pirandellian Adaptation across Time and Gender.Published in:2017By:BOSELLI, STEFANOPublication type:Performance Review
A Conversation with Director Gabriele Lavia: A Pirandello Trilogy for a World without Tragedy.Published in:2017By:BAZZONI, JANA O'KEEFEPublication type:Interview
Adapting Pirandello: Adam Siegel, Translator and Adaptor of La patente for the Art Theatre of Davis, May 2016.Published in:2017By:SUBIALKA, MICHAELPublication type:Interview
"I'm as obscure as Pirandello is famous:" An Interview with Playwright Howard Colyer.Published in:2017By:TAGLIAFERRI, LISA;SUBIALKA, MICHAELPublication type:Interview
IN CONVERSATION (INTERVIEWS): Dacia Maraini on Luigi Pirandello.Published in:2017By:SARTI, LISAPublication type:Interview
The "Birth of Pirandello's Tragedy": Convergences between Nietzsche and The Mountain Giants.Published in:PSA (1042-4822), 2017, v. 30, p. 31By:FACCHI, FRANCESCAPublication type:Article
Approximation to Nirvana: From Intellectual Speculation to Zen Practice in Luigi Pirandello's Uno, nessuno e centomila.Published in:PSA (1042-4822), 2017, v. 30, p. 13By:VETTORE, ENRICOPublication type:Article
Editor's Note.Published in:PSA (1042-4822), 2017, v. 30, p. 7By:Subialka, MichaelPublication type:Article