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Editorial.
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- Cinema, 2019, n. 64, p. 7
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DRAMATURGIEN JOURNALISTISCHER QUALITÄT IM REPORTERFILM.
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- Cinema, 2019, n. 64, p. 10
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Qualität widert mich an.
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- Cinema, 2019, n. 64, p. 24
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ZUR VERTEIDIGUNG DES ÄRMLICHEN BILDES.
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- Cinema, 2019, n. 64, p. 26
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Das kontinuierliche Suchen nach dem richtigen Bildausschnitt.
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- Cinema, 2019, n. 64, p. 35
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Den Film in einen visuellen Fluss bringen.
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- Cinema, 2019, n. 64, p. 36
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HOLDING OUT FOR A HERO—CLINT EASTWOODS AMERICAN SNIPER, SULLY UND THE 15:17 TO PARIS.
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- Cinema, 2019, n. 64, p. 38
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Die Erlaubnis, zu scheitern.
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- Cinema, 2019, n. 64, p. 54
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AMBIVALENTE QUALITÄTEN—ZUR WECHSELHAFTEN ROLLE DER FILMKRITIK BEI SIEGFRIED KRACAUER.
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- Cinema, 2019, n. 64, p. 56
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Beschaffenheiten, die einen Unterschied machen.
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- Cinema, 2019, n. 64, p. 67
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«THERE’S COLOUR … AND COLOUR»—FARBFILME AUS WOLFEN IM QUALITÄTSWETTSTREIT.
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- Cinema, 2019, n. 64, p. 68
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FILMKALEIDOSKOP.
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- Cinema, 2019, n. 64, p. 80
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Gefässe für neue Geheimnisse.
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- Cinema, 2019, n. 64, p. 92
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QUALITÄT(EN) DES LAIEN-BLICKS—AMATEURFILMKLUBS IN POLEN, 1953 –1989.
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- Cinema, 2019, n. 64, p. 94
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Denn sie wissen, was sie tun.
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- Cinema, 2019, n. 64, p. 109
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«WE CAN’T REWIND, WE’VE GONE TOO FAR!»—ODER: R.I.P. CINEMA 1.0.
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- Cinema, 2019, n. 64, p. 110
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Eine bleibende Erinnerung Schweizer Filmgeschichte.
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- Cinema, 2019, n. 64, p. 122
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NOCH EIN BISSCHEN BLEIBEN.
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- Cinema, 2019, n. 64, p. 124
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ES MUSS NICHT IMMER KAVIAR SEIN—QUALITÄT IM FILMPROGRAMM.
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- Cinema, 2019, n. 64, p. 130
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VOM FILMLABOR BIS ZUR FARBKORREKTUR—INTERVIEW MIT RICHARD GRELL ÜBER QUALITÄT.
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- Cinema, 2019, n. 64, p. 144
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- Article
FILMEN IN KAMBODSCHA—ERFAHRUNGSBERICHT VON DEN DREHARBEITEN ZU MIRR.
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- Cinema, 2019, n. 64, p. 154
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DER LÄUFER.
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- Cinema, 2019, n. 64, p. 164
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LES GARDIENNES.
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- Cinema, 2019, n. 64, p. 165
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BLUE MY MIND.
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- Cinema, 2019, n. 64, p. 166
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NON HO L’ETÀ.
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- Cinema, 2019, n. 64, p. 167
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L’OSPITE.
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- Cinema, 2019, n. 64, p. 168
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DIE VIERTE GEWALT.
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- Cinema, 2019, n. 64, p. 169
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GENESIS 2.0.
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- Cinema, 2019, n. 64, p. 170
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WHERE ARE YOU, JOÃO GILBERTO?
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- Cinema, 2019, n. 64, p. 171
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SELFIES.
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- Cinema, 2019, n. 64, p. 172
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LA PETITE MORT.
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- Cinema, 2019, n. 64, p. 173
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MARIO.
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- Cinema, 2019, n. 64, p. 174
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CIRCUIT.
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- Cinema, 2019, n. 64, p. 175
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ELDORADO.
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- Cinema, 2019, n. 64, p. 176
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CLARA HASKIL.
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- Cinema, 2019, n. 64, p. 177
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CHRIS THE SWISS.
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- Cinema, 2019, n. 64, p. 178
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FELL IN LOVE WITH A GIRL.
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- Cinema, 2019, n. 64, p. 179
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À L’ÉCOLE DES PHILOSOPHES.
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- Cinema, 2019, n. 64, p. 180
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#FEMALE PLEASURE.
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- Cinema, 2019, n. 64, p. 181
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ET AU PIRE, ON SE MARIERA.
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- Cinema, 2019, n. 64, p. 182
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VAKUUM.
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- Cinema, 2019, n. 64, p. 183
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LAZZARO FELICE.
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- Cinema, 2019, n. 64, p. 184
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RUDOLF HÄSLER—ODISEA DE UNA VIDA.
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- Cinema, 2019, n. 64, p. 185
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CEUX QUI TRAVAILLENT.
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- Cinema, 2019, n. 64, p. 186
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DES MOUTONS ET DES HOMMES.
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- Cinema, 2019, n. 64, p. 187
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A LONG WAY HOME.
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- Cinema, 2019, n. 64, p. 188
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INS HOLZ.
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- Cinema, 2019, n. 64, p. 189
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EMMA—IL COLORE NASCOSTO DELLE COSE.
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- Cinema, 2019, n. 64, p. 190
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WOLKENBRUCH.
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- Cinema, 2019, n. 64, p. 191
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CLOSING TIME.
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- Cinema, 2019, n. 64, p. 192
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