Works matching IS 09611215 AND DT 2018 AND VI 28 AND IP 1
Results: 26
THE NETWORK.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 106, doi. 10.1162/lmj_e_01051
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Leonardo Music Journal 28.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 1, doi. 10.1162/LMJ_e_01034
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RECORDED AUDIO RESPONSES (5:36).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 99
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VALDIVIA'S WETLAND SOUNDSCAPE (5:01).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 99
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HEAVY METAL (10:06).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 98
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/S/<SH[OW]> (5:42).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 97
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STOCKHAUSEN'S SOLO(S) (11:18).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 97
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THE MUSIC OF THE LOVE HORMONE - OXYTOCIN (8:48).
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 96
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Figures of Speech: Oral History as an Agent of Form in Electroacoustic Music.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 88, doi. 10.1162/LMJ_a_01047
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Collaboration and Consensus in Listening.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 82, doi. 10.1162/LMJ_a_01046
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Using Psychological Principles of Memory Storage and Preference to Improve Music Recommendation Systems.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 77, doi. 10.1162/LMJ_a_01045
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Notation by Context: Digital Scenography as Artifact of Authorial Intent.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 72, doi. 10.1162/LMJ_a_01044
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Sound Straight Ahead: Parametric Speakers in Two Soundscape Installations.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 60, doi. 10.1162/LMJ_a_01043
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LISTENING TO WETLAND SOUNDSCAPES.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 50, doi. 10.1162/LMJ_a_01042
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TRANSLATING HISTORICALLY REFLEXIVE PERCEIVING FROM VISUAL TO SONIC ART.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 47, doi. 10.1162/LMJ_a_01041
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Beyond Schemata in Collective Improvisation: A Support Tool for Music Interactions.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 34, doi. 10.1162/LMJ_a_01040
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Sound Technologies as Agency-Granting Prosthesis to Vocal Body.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 30, doi. 10.1162/LMJ_a_01039
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Two Faces of a Cathedral: Ákos Rózmann's Black Illusions and Organ Piece No. III/a.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 25, doi. 10.1162/LMJ_a_01038
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A Musical Suite Composed by an Electronic Brain: Reexamining the Illiac Suite and the Legacy of Lejaren A. Hiller Jr.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 19, doi. 10.1162/LMJ_a_01037
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On Stockhausen's Solo(s): Beyond Interpretation.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 13, doi. 10.1162/LMJ_a_01036
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The Migration of Data and Other Life Forms: A Sound Installation for the 70th Anniversary of the Darmstadt Summer Courses.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 3, doi. 10.1162/LMJ_a_01035
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The Music of Human Hormones.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 38, doi. 10.1162/LMJ_a_01033
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Heavy Metal: An Interactive Environmental Art Installation.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 8, doi. 10.1162/LMJ_a_01032
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THE PUBLIC UTTERATON MACHINES: Recording What People Think of Public Art in New York City.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 48, doi. 10.1162/LMJ_a_01031
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Crossing the Muddy Field of Witness, Calling the Lonely Crowd: A Walk to Meet a Sound.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 53, doi. 10.1162/LMJ_a_00997
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Experimental Sound Mixing for The Well, a Short Film Made for Tablets.
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- Leonardo Music Journal, 2018, v. 28, n. 1, p. 65, doi. 10.1162/LMJ_a_00996
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