Found: 29
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Collecting in the South Sea: The voyage of Bruni d'Entrecasteaux, 1791–1794.Tiki: Marquesan art and the Krusenstern expeditionResonant Histories: Pacific artefacts and the voyages of HMS Royalist, 1890–1893.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 204, doi. 10.1093/jhc/fhab052
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Books Received.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 215, doi. 10.1093/jhc/fhab061
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Rarities of these Lands. Art, trade, and diplomacy in the Dutch Republic.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 198, doi. 10.1093/jhc/fhab053
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What's Mine is Yours. Private collectors and public patronage in the United States. Essays in honor of Inge Reist.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 213, doi. 10.1093/jhc/fhab051
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Museum Age in Austria-Hungary. Art and empire in the long nineteenth century.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 210, doi. 10.1093/jhc/fhab046
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Duped or duplicitous? Bode, Bardini and the many Madonnas of South Kensington.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 217, doi. 10.1093/jhc/fhab041
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Old Masters Worldwide: Markets, movements and museums, 1789–1939.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 211, doi. 10.1093/jhc/fhab040
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Collecting Murillo in Britain and Ireland.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 203, doi. 10.1093/jhc/fhab039
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Raphael: The Power of Renaissance Images: The Dresden tapestries and their impactApostles in Prussia: The Raphael tapestries of the Bode-MuseumThe Raphael Cartoons.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 207, doi. 10.1093/jhc/fhab038
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Illuminating Natural History: The art and science of Mark Catesby.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 199, doi. 10.1093/jhc/fhab037
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La Grande Galleria: spazio del sapere e rappresentazione del mondo nell'età di Carlo Emanuele I di Savoia.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 195, doi. 10.1093/jhc/fhab035
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Antichità in giardino, giardini nell'antichità: studi sulla collezione Giusti a Verona e sulla tradizione delle raccolte di antichità in giardino.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 196, doi. 10.1093/jhc/fhab034
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Georg Forster: The South Seas at Wörlitz. Kulturstiftung Dessau-Wörlitz.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 201, doi. 10.1093/jhc/fhab033
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Mystery and history: when did Catherine the Great purchase the Lyde Browne collection?
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 218, doi. 10.1093/jhc/fhab020
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'Ordinary', 'insignificant' and 'useless' artefacts from Rome and Athens: Trading antiquities and reshaping scholarship in the long nineteenth century.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 85, doi. 10.1093/jhc/fhab014
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Displaying plaster casts, staging Romanization: The Mostra Archeologica at the Baths of Diocletian and nationalistic biases in Roman provincial archaeology.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 95, doi. 10.1093/jhc/fhab011
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Protecting private collections of paintings in France in the nineteenth century: Conservation history viewed through the lens of patents.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 127, doi. 10.1093/jhc/fhab010
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From merchant to elite artist and collector: Yan Xinhou, his family, and a collection's journey to the Herbert F. Johnson Museum of Art.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 71, doi. 10.1093/jhc/fhab008
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Bernini's painting collection: a reconstructed inventory raisonné.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 33, doi. 10.1093/jhc/fhaa057
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'An indefatigable intermediary': Harold Woodbury Parsons (1882–1967) and the formation of the European collections at the Cleveland Museum of Art: part 2.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 217, doi. 10.1093/jhc/fhab005
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Rediscovery of a Mesoamerican greenstone sculpture from the collection of Ulisse Aldrovandi.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 1, doi. 10.1093/jhc/fhab001
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one that didn't get away: New light on the sale of Holbein's Duchess of Milan.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 141, doi. 10.1093/jhc/fhaa060
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Hector de Garriod (1803–1883): a marchand amateur in Risorgimento Italy.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 113, doi. 10.1093/jhc/fhab007
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Getty Gnaios: A love story.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 51, doi. 10.1093/jhc/fhaa049
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Picturing walls: Zola's contemporary works of art.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 217, doi. 10.1093/jhc/fhaa002
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poet's skull: National trauma, a passion for graves, and the collecting of national memorabilia in early nineteenth-century Poland.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 157, doi. 10.1093/jhc/fhaa040
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South Kensington Museum's purchase of the Altarpiece of St George: A case-study of the changing fortunes of medieval Spanish art in the nineteenth century.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 23, doi. 10.1093/jhc/fhaa010
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Gessner's fossil crab - an icon for the early history of palaeontology.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 218, doi. 10.1093/jhc/fhaa003
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'A matter of love': L. V. Randall (1893–1972), Montreal collector and academic visionary.
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- Journal of the History of Collections, 2022, v. 34, n. 1, p. 175, doi. 10.1093/jhc/fhaa039
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