Tragedy and Trauerspiel: John Webster's The Duchess of Malfi.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 160, doi. 10.25623/conn031-crunelle-1
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- Article
Works matching IS 09395482 AND DT 2022 AND VI 31
Results: 9
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"That we shall die we know": Historical Fetters and Creative Liberation in William Shakespeare's Julius Caesar.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 133, doi. 10.25623/conn031-zirker-riecker-1
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- Article
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Blaming Helen in Twenty-First Century Myth Writing: A Response to Lena Linne.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 126, doi. 10.25623/conn031-judge-1
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Forster's Self-Ironizing in "The Road from Colonus": A Response to Laura M. White.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 112, doi. 10.25623/conn031-mei-1
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- Article
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Romance and Metagenre: A Response to Burkhard Niederhoff.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 100, doi. 10.25623/conn031-pierini-1
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The Woman Taken in Adultery: A Literary Perspective on Christ's Writing in John 8:1-12.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 85, doi. 10.25623/conn031-rudrum-schatz-1
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Meta-Epic Reflection in Twenty-First-Century Rewritings of Homer, or: The Meta-Epic Novel.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 56, doi. 10.25623/conn031-linne-1
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Parodies of Six-Word Stories: A Comic Literary Metagenre.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 33, doi. 10.25623/conn031-fishelov-1
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- Article
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An Introduction to Metagenre with a Postscript on the Journey from Comedy to Tragedy in E. M. Forster's Where Angels Fear to Tread.
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- Connotations: A Journal for Critical Debate, 2022, v. 31, p. 1, doi. 10.25623/conn031-niederhoff-1
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- Article