Creative Imagination and Didactic Intent in Medieval Visions of the Other World: A Response to Fritz Kemmler.Published in:Connotations: A Journal for Critical Debate, 2010, v. 20, n. 1-3, p. 1By:Barr, JessicaPublication type:Article
The Audiences of Three English Medieval Visions: A Response to Fritz Kemmler*.Published in:Connotations: A Journal for Critical Debate, 2010, v. 20, n. 1-3, p. 23By:Konshuh, CourtnayPublication type:Article
Transformations of Life and Death in Medieval Visions of the Other World: A Response to Fritz Kemmler*.Published in:Connotations: A Journal for Critical Debate, 2010, v. 20, n. 1-3, p. 12By:Galler, MatthiasPublication type:Article
Artists as Parents in A. S. Byatt's The Children's Book and Iris Murdoch's The Good Apprentice*.Published in:2010By:Sturrock, JunePublication type:Literary Criticism
Whose are those 'Western eyes'? On the Identity, the Role and the Functions of the Narrator in Joseph Conrad's Under Western Eyes*.Published in:2010By:Bimberg, ChristianePublication type:Literary Criticism
Evelyn Waugh's Edmund Campion and "Lady Southwell's Letter".Published in:2010By:Gallagher, DonatPublication type:Literary Criticism
An Addendum to "A Question of Competence: The Card Game in Pope's The Rape of the Lock".Published in:2010By:Walls, KathrynPublication type:Correction Notice