Works matching IS 09329714 AND DT 2017 AND VI 49 AND IP 1
Results: 12
The Predicament of Women in a Postmodern World: A Reading of Njabulo Ndebele’s The Cry of Winnie Mandela.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 182, doi. 10.1163/18757421-04901010
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Myths, Legends, and Contemporary Nigerian Theatre: The Example of Femi Osofisan.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 54, doi. 10.1163/18757421-04901004
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Exploiting Folklore for Culture-Based Science and Research for Medicinal and Economic Development.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 225, doi. 10.1163/18757421-04901012
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Morning Sir! Identity Negotiation in Nigerian Army Barracks.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 201, doi. 10.1163/18757421-04901011
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Nigerian Children’s Literature: Harnessing Its Potential for National Integration.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 15, doi. 10.1163/18757421-04901002
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The Poet as Town-Crier: The Example of Niyi Osundare in Village Voices.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 96, doi. 10.1163/18757421-04901006
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- Article
“Sex, Pleasures, Dangers, Love and Lies!”: Representing Female Sexualities in Selected Contemporary Poetry by Malawian Women.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 156, doi. 10.1163/18757421-04901009
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Political Topicality and Literary Aesthetics in Wale Okediran’s Novels.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 145, doi. 10.1163/18757421-04901008
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The Triple Play of Violence in Ismael R. Mbise’s Blood on Our Land: History, Law, and Development.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 109, doi. 10.1163/18757421-04901007
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A Fete of Lamentations: Celebrating the Nigerian State through Ademola Dasylva’s Songs of Odamolugbe.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 72, doi. 10.1163/18757421-04901005
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Subverting Nationalism: Historicizing Horrors of the Past in Femi Fatoba’s They Said I Abused the Government and Wole Soyinka’s Samarkand and Other Markets I Have Known.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 28, doi. 10.1163/18757421-04901003
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From Sidi to Ene: The Evolutionary Phases of the African Woman in Nigerian Theatre.
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- Matatu: Journal for African Culture & Society, 2017, v. 49, n. 1, p. 1, doi. 10.1163/18757421-04901001
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- Article