Helen and Paris: Classicism and Frenchness in Saint-Saëns's Hélène.
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- Nineteenth Century Studies, 2023, v. 35, p. 112, doi. 10.5325/ninecentstud.35.0112
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Works matching IS 08937931 AND DT 2023 AND VI 35
Results: 6
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Interpreting the Egyptian Code in Nineteenth-Century China: Pan Zuyin and His Circle of Antiquarians.
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- Nineteenth Century Studies, 2023, v. 35, p. 93, doi. 10.5325/ninecentstud.35.0093
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- Article
3
Evolutionary Science, Empire, and Disenchantment in May Kendall's That Very Mab.
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- Nineteenth Century Studies, 2023, v. 35, p. 75, doi. 10.5325/ninecentstud.35.0075
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4
Playing Dead: Eadweard Muybridge's Residential Photo Albums and Spiritualist Aesthetics.
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- Nineteenth Century Studies, 2023, v. 35, p. 54, doi. 10.5325/ninecentstud.35.0054
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- Article
5
"Flaming Madras handkerchiefs and calico blazing with crimson and scarlet flowers": Antebellum World Systems in Hannah Crafts's The Bondwoman's Narrative.
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- Nineteenth Century Studies, 2023, v. 35, p. 33, doi. 10.5325/ninecentstud.35.0033
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6
Fossils: Lithography's Porous Time and Eugène Delacroix's Faust Marginalia.
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- Nineteenth Century Studies, 2023, v. 35, p. 1, doi. 10.5325/ninecentstud.35.0001
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