Works matching IS 08922160 AND DT 2023 AND VI 35 AND IP 2
Results: 14
Submission Guidelines.
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- Film History, 2023, v. 35, n. 2, p. 128
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- Article
Gaza on Screen.
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- Film History, 2023, v. 35, n. 2, p. 127
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- Article
Italian Political Cinema: Figures of the Long '68.
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- Film History, 2023, v. 35, n. 2, p. 126
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How the Movies Got a Past: A Historiography of American Cinema, 1894–1930.
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- Film History, 2023, v. 35, n. 2, p. 125
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Hollywood Independent: How the Mirisch Company Changed Cinema.
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- Film History, 2023, v. 35, n. 2, p. 124
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German Ways of War: The Affective Geographies and Generic Transformations of German War Films.
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- Film History, 2023, v. 35, n. 2, p. 122
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A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood: Girl Fans and Personal Archives of Early Hollywood.
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- Film History, 2023, v. 35, n. 2, p. 120, doi. 10.2979/fih.00006
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Marathi Cinema, Cultural Space, and Liminality: A History.
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- Film History, 2023, v. 35, n. 2, p. 123
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Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett.
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- Film History, 2023, v. 35, n. 2, p. 121
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A Swift Exit: D. W. Griffith's Return to the East Coast.
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- Film History, 2023, v. 35, n. 2, p. 95, doi. 10.2979/fih.00005
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Film History as Film Stock History: American Production Choices, 1937–1940.
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- Film History, 2023, v. 35, n. 2, p. 72, doi. 10.2979/fih.00004
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Between Handheld Camera and Steadicam: The Body-Mounted Cinematography of Seconds (1966) and Its Legacies.
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- Film History, 2023, v. 35, n. 2, p. 26, doi. 10.2979/fih.00002
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Algerians in Rome, Italians in Algiers: Before and after The Battle of Algiers (1966).
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- Film History, 2023, v. 35, n. 2, p. 52, doi. 10.2979/fih.00003
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Vertov and the Avant-Garde Documentary: Dreaming Reality in the 1960s, from the USSR to Japan.
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- Film History, 2023, v. 35, n. 2, p. 1, doi. 10.2979/fih.00001
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- Article