Works matching IS 08922160 AND DT 2022 AND VI 34 AND IP 4
Results: 15
Submission Guidelines.
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- Film History, 2022, v. 34, n. 4, p. 135
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Cinematic Independence: Constructing the Big Screen in Nigeria.
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- Film History, 2022, v. 34, n. 4, p. 134
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Méliès Boots: Footwear and Film Manufacturing in Second Industrial Revolution Paris.
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- Film History, 2022, v. 34, n. 4, p. 133
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New Perspectives on Early Cinema History: Concepts, Approaches, Audiences.
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- Film History, 2022, v. 34, n. 4, p. 132
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Violated Frames: Armando Bó and Isabel Sarli's Sexploits.
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- Film History, 2022, v. 34, n. 4, p. 131
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Making / The Hollywood Classic That Inspired a Nation.
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- Film History, 2022, v. 34, n. 4, p. 130
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Planetary Cinema: Film, Media and the Earth.
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- Film History, 2022, v. 34, n. 4, p. 129
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The National Imaginarium: A History of Egyptian Filmmaking.
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- Film History, 2022, v. 34, n. 4, p. 128
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Suzuki Seijun and Postwar Japanese Cinema.
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- Film History, 2022, v. 34, n. 4, p. 127
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Relaying Cinema in Midcentury Iran: Material Cultures in Transit: Material Cultures in Transit.
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- Film History, 2022, v. 34, n. 4, p. 126, doi. 10.2979/filmhistory.34.4.06
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Sergei Eisenstein's "The Form of the Script": A New Translation.
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- Film History, 2022, v. 34, n. 4, p. 109, doi. 10.2979/fih.2022.a900044
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Gotham Book Mart's Spring 1938 Film File Catalog.
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- Film History, 2022, v. 34, n. 4, p. 83, doi. 10.2979/fih.2022.a900043
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Writing in Sound: Frances Marion at MGM, 1925–1933.
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- Film History, 2022, v. 34, n. 4, p. 59, doi. 10.2979/fih.2022.a900042
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The Most Famous Costume Designer: Reviewing Edith Head's Career through a Contractual Lens.
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- Film History, 2022, v. 34, n. 4, p. 30, doi. 10.2979/fih.2022.a900041
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Still Photographs, Publicity, and the Making of Cecil B. DeMille's Ten Commandments (1956).
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- Film History, 2022, v. 34, n. 4, p. 1, doi. 10.2979/fih.2022.a900040
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