Mary and the Moor: The Precious Memories of Orson Welles's Secretary from the Set of Othello.Published in:Film History, 2015, v. 27, n. 2, p. 161, doi. 10.2979/filmhistory.27.2.161By:ANILE, ALBERTOPublication type:Article
Chariot as Cinema: Louis Delluc and Charlie Chaplin at the Dawn of Film Criticism.Published in:Film History, 2015, v. 27, n. 2, p. 140, doi. 10.2979/filmhistory.27.2.140By:KORNHABER, DONNAPublication type:Article
Pressing Matters: Media Crusades before the Nickelodeons.Published in:2015By:OLSSON, JANPublication type:Essay
Memories in Context: The Social and Economic Function of Cinema in 1950s Rome.Published in:Film History, 2015, v. 27, n. 2, p. 76, doi. 10.2979/filmhistory.27.2.76By:GENNARI, DANIELA TREVERI;SEDGWICK, JOHNPublication type:Article
Under the Auspices of Simplicity: Roger Leenhardt's New Realism and the Aesthetic History of Objectif 49.Published in:Film History, 2015, v. 27, n. 2, p. 33, doi. 10.2979/filmhistory.27.2.33By:BURNETT, COLINPublication type:Article
The Great White Way and the Way of All Flesh: Metropolitan Film Culture and the Business of Film Exhibition in Times Square, 1929-1941.Published in:2015By:BRENNAN, NATHANIELPublication type:Essay