The Standard Exhibition Contract and the Unwritten History of the Classical Hollywood Cinema.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 138, doi. 10.2979/filmhistory.25.1-2.138
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- Publication type:
- Article
Works matching IS 08922160 AND DT 2013 AND VI 25 AND IP 1/2
Results: 23
1
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'Pix Biz Spurts with War Fever': Film and the Public Sphere-Cycles and Topicality.
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- Film History, 2013, v. 25, n. 1/2, p. 215, doi. 10.2979/filmhistory.25.1-2.215
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- Publication type:
- Article
3
Submission Guidelines.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 252, doi. 10.2979/filmhistory.25.1-2.252
- Publication type:
- Article
4
Pathé versus Pathé, Exhibit A: Reading an Archival Document.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 118, doi. 10.2979/filmhistory.25.1-2.118
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- Publication type:
- Article
5
Conversions and Convergences: Sarah Bernhardt in the Era of Technological Reproducibility, 1910-1913.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 154, doi. 10.2979/filmhistory.25.1-2.154
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- Publication type:
- Article
6
VD Propaganda, Dr. Ehrlich's Magic Bullet, and the Production Code.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 130, doi. 10.2979/filmhistory.25.1-2.130
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- Publication type:
- Article
7
Introduction.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. vii, doi. 10.2979/filmhistory.25.1-2.vii
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- Publication type:
- Article
8
Protocols of Portability.
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- 2013
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- Publication type:
- Essay
9
Senses of Success and the Rise of the Blockbuster.
- Published in:
- 2013
- By:
- Publication type:
- Essay
10
German Cinema as European Cinema: Learning from Film History.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 110, doi. 10.2979/filmhistory.25.1-2.110
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- Publication type:
- Article
11
Contributors.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 248, doi. 10.2979/filmhistory.25.1-2.248
- Publication type:
- Article
12
McCay and Keaton: Colligating, Conjecturing, and Conjuring.
- Published in:
- 2013
- By:
- Publication type:
- Essay
13
Moving Image History and the F-Word; or, 'Digital Film' Is an Oxymoron.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 227, doi. 10.2979/filmhistory.25.1-2.227
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- Publication type:
- Article
14
Invisible by Design: Reclaiming Art Nouveau for the Cinema.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 55, doi. 10.2979/filmhistory.25.1-2.55
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- Publication type:
- Article
15
'Because I Am a Woman': Thinking Identity and Agency for Historiography.
- Published in:
- 2013
- By:
- Publication type:
- Essay
16
Where Is National Cinema Today (and Do We Still Need It)?
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 19, doi. 10.2979/filmhistory.25.1-2.19
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- Publication type:
- Article
17
Titles, Subtitles, and Intertitles: Factors of Autonomy, Factors of Concatenation.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 81, doi. 10.2979/filmhistory.25.1-2.81
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- Publication type:
- Article
18
The Pleasures and Perils of Big Data in Digitized Newspapers.
- Published in:
- 2013
- By:
- Publication type:
- Essay
19
Science Lessons.
- Published in:
- 2013
- By:
- Publication type:
- Essay
20
The Creation and Construction of Asian Cinema Redux.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 175, doi. 10.2979/filmhistory.25.1-2.175
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- Publication type:
- Article
21
The Untrammeled Camera: A Topos of the Expedition Film.
- Published in:
- 2013
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- Publication type:
- Film/TV Criticism and Review
22
Screen Bodies and Busybodies: Corporeal Constellations in the Era of Anonymity.
- Published in:
- 2013
- By:
- Publication type:
- Essay
23
What Happened to the Philosophy of Film History?
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 70, doi. 10.2979/filmhistory.25.1-2.70
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- Publication type:
- Article