Screening Propaganda: The Reception of Soviet and American Film Screenings in Rural Iceland, 1950--1975.Published in:Film History, 2011, v. 23, n. 4, p. 361, doi. 10.2979/filmhistory.23.4.361By:Hafsteinsson, Sigurjóón Baldur;Gréétarsdóóttir, TinnaPublication type:Article
Star Struck: Guy Madison and David Selznick in Postwar Hollywood.Published in:Film History, 2011, v. 23, n. 4, p. 376, doi. 10.2979/filmhistory.23.4.376By:Leff, Leonard J.Publication type:Article
Introduction: Audiences and Ideology.Published in:Film History, 2011, v. 23, n. 4, p. 359, doi. 10.2979/filmhistory.23.4.359By:Koszarski, RichardPublication type:Article
Company of Contradictions: Puerto Rico's Tropical Film Company (1916--1917).Published in:2011By:Garcia-Crespo, NaidaPublication type:Essay
''Monogram Means Business'': B-film Marketing and Series Filmmaking at Monogram Pictures.Published in:Film History, 2011, v. 23, n. 4, p. 386, doi. 10.2979/filmhistory.23.4.386By:Edwards, Kyle DawsonPublication type:Article
The Pauper and the Prince: Transformative Masculinity in Raoul Walsh's Regeneration.Published in:2011By:Tracy, TonyPublication type:Essay