Introduction: Black Representations.
- Published in:
- Film History, 2011, v. 23, n. 2, p. 107, doi. 10.2979/filmhistory.23.2.107
- By:
- Publication type:
- Article
Works matching IS 08922160 AND DT 2011 AND VI 23 AND IP 2
Results: 8
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2
Charlene Regester, African American Actresses: The Struggle for Visibility, 1900-1960.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
3
Interpretation and Restoration: Abel Gance's La Roue (1922).
- Published in:
- 2011
- By:
- Publication type:
- Essay
4
Why Did Negroes Love Al Jolson and The Jazz Singer?: Melodrama, Blackface and Cosmopolitan Theatrical Culture.
- Published in:
- 2011
- By:
- Publication type:
- Essay
5
Sounding the Nation: Martin Rennalls and the Jamaica Film Unit, 1951-1961.
- Published in:
- Film History, 2011, v. 23, n. 2, p. 110, doi. 10.2979/filmhistory.23.2.110
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- Publication type:
- Article
6
A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking.
- Published in:
- Film History, 2011, v. 23, n. 2, p. 129, doi. 10.2979/filmhistory.23.2.129
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- Publication type:
- Article
7
Discovering Black Film History: Tracing the Tyler, Texas Black Film Collection.
- Published in:
- 2011
- By:
- Publication type:
- Essay
8
Mixed Messages: D.W. Griffith and the Black Press, 1916-1931.
- Published in:
- Film History, 2011, v. 23, n. 2, p. 174, doi. 10.2979/filmhistory.23.2.174
- By:
- Publication type:
- Article