Works matching IS 08922160 AND DT 2010 AND VI 22 AND IP 2
Results: 8
The Russians Are Coming The Russians Are Coming (1966): Reconsidering Hollywood's Cold War "Turn" of the 1960s.
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- Film History, 2010, v. 22, n. 2, p. 235, doi. 10.2979/FIL.2010.22.2.235
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- Article
Subversion, Desperation and Captivity: Pre-film Advertising in American Film Exhibition Since 1977.
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- Film History, 2010, v. 22, n. 2, p. 219, doi. 10.2979/FIL.2010.22.2.219
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- Article
"Seventeen Happy Days" in Hollywood: Selig Polyscope's Promotional Campaign for the Movie Special of July 1915.
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- Film History, 2010, v. 22, n. 2, p. 199, doi. 10.2979/FIL.2010.22.2.199
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- Article
Cutting Koerners: Floyd Odlum, the Atlas Corporation and the Dismissal of Orson Welles from RKO.
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- Film History, 2010, v. 22, n. 2, p. 182, doi. 10.2979/FIL.2010.22.2.182
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- Article
Dissent and Consent in the "Good War": Hedda Hopper, Hollywood Gossip, and World War II Isolationism.
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- Film History, 2010, v. 22, n. 2, p. 170, doi. 10.2979/FIL.2010.22.2.170
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- Article
"In the Interest of the Moral Life of Our City": The Beginning of Motion Picture Censorship in Portland, Oregon.
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- Film History, 2010, v. 22, n. 2, p. 148, doi. 10.2979/FIL.2010.22.2.148
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- Article
Politics, Authorship and History: the Production, Reception and Marginalization of Street Scenes 1970.
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- Film History, 2010, v. 22, n. 2, p. 133, doi. 10.2979/FIL.2010.22.2.133
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- Article
Introduction: Movies in America.
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- Film History, 2010, v. 22, n. 2, p. 131, doi. 10.2979/FIL.2010.22.2.131
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- Article