Early 16mm colour by a career amateur.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 150, doi. 10.2979/FIL.2009.21.2.150
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- Publication type:
- Article
Works matching IS 08922160 AND DT 2009 AND VI 21 AND IP 2
Results: 8
1
2
Colouring the nation: spectacle, reality and British natural colour in the silent and early sound era.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 139, doi. 10.2979/FIL.2009.21.2.139
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- Publication type:
- Article
3
Colour by Stencil: Germaine Berger and Pathécolor.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 180, doi. 10.2979/FIL.2009.21.2.180
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- Publication type:
- Article
4
Tinting and toning at Pathé: the Jacques Mayer notebook.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 177, doi. 10.2979/FIL.2009.21.2.177
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- Publication type:
- Article
5
'Harmonious sensations of sound by means of colors': vernacular colour abstractions in silent cinema.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 164, doi. 10.2979/FIL.2009.21.2.164
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- Publication type:
- Article
6
'The modern Elixir of Life': Kinemacolor, royalty and the Delhi Durbar.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 122, doi. 10.2979/FIL.2009.21.2.122
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- Article
7
Colour Plates.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 1
- Publication type:
- Article
8
Symptoms of desire: colour, costume, and commodities in fashion newsreels of the 1910s and 1920s.
- Published in:
- Film History, 2009, v. 21, n. 2, p. 107, doi. 10.2979/FIL.2009.21.2.107
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- Publication type:
- Article