Myth and movie making: Karl Brown and the making of Stark Love.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 49, doi. 10.2979/FIL.2007.19.1.49
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- Publication type:
- Article
Works matching IS 08922160 AND DT 2007 AND VI 19 AND IP 1
Results: 8
1
2
An experiment in 'historically correct' Canadian photoplays: Montreal's British American Film Manufacturing Co.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 34, doi. 10.2979/FIL.2007.19.1.34
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- Publication type:
- Article
3
Acting with feeling: Robert Donat, the 'Emotion Chart' and The Citadel (1938).
- Published in:
- Film History, 2007, v. 19, n. 1, p. 73, doi. 10.2979/FIL.2007.19.1.73
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- Publication type:
- Article
4
Constructing a priest, silencing a saint: The PCA and I Confess (1953).
- Published in:
- Film History, 2007, v. 19, n. 1, p. 52, doi. 10.2979/FIL.2007.19.1.58
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- Publication type:
- Article
5
The Soviet cinematic offensive in the Spanish Civil War.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 7, doi. 10.2979/FIL.2007.19.1.7
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- Publication type:
- Article
6
Introduction: Chasing Reality.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 3, doi. 10.2979/FIL.2007.19.1.3
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- Publication type:
- Article
7
Dualling for Judy: The concept of the double in the films of Kim Novak.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 86, doi. 10.2979/FIL.2007.19.1.86
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- Publication type:
- Article
8
Family history, film history: Dad & the Telenews Theatre Corporation.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 20, doi. 10.2979/FIL.2007.19.1.20
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- Publication type:
- Article