Works matching IS 08922160 AND DT 2006 AND VI 18 AND IP 2
Results: 12
Women in the driver's seat: The auto-erotics of early women's films.
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- Film History, 2006, v. 18, n. 2, p. 174, doi. 10.2979/FIL.2006.18.2.174
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- Article
Reading Mabel Normand's library.
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- Film History, 2006, v. 18, n. 2, p. 209, doi. 10.2979/FIL.2006.18.2.209
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- Article
Imagining sound in the Solax films of Alice Guy Blaché: Canned Harmony (1912) and Burstop Holmes' Murder Case (1913).
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- Film History, 2006, v. 18, n. 2, p. 185, doi. 10.1353/fih.2006.0014
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- Article
'As you desire me': Reading 'The Divine Garbo' through movement, silence and the sublime.
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- Film History, 2006, v. 18, n. 2, p. 196, doi. 10.2979/FIL.2006.18.2.196
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- Article
The miscellany of film history.
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- Film History, 2006, v. 18, n. 2, p. 222, doi. 10.2979/FIL.2006.18.2.222
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- Article
'Melodrama of the dear old kind': Sentimentalising British action heroines in the 1910s.
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- Film History, 2006, v. 18, n. 2, p. 163, doi. 10.2979/FIL.2006.18.2.163
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- Article
The woman film critic: Newspapers, cinema and Iris Barry.
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- Film History, 2006, v. 18, n. 2, p. 154, doi. 10.2979/FIL.2006.18.2.154
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- Article
Pan discourse in the heartland: the early 1910s.
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- Film History, 2006, v. 18, n. 2, p. 140, doi. 10.2979/FIL.2006.18.2.140
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- Article
Making the 'Studio Girl': The Hollywood Studio Club and industry regulation of female labour.
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- Film History, 2006, v. 18, n. 2, p. 129, doi. 10.2979/FIL.2006.18.2.129
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- Article
Presenting The Smalleys, 'collaborators in authorship and direction'.
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- Film History, 2006, v. 18, n. 2, p. 119, doi. 10.2979/FIL.2006.18.2.119
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- Article
Elinor Glyn as Hollywood labourer.
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- Film History, 2006, v. 18, n. 2, p. 110, doi. 10.2979/FIL.2006.18.2.110
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- Article
Introduction: Women and the Silent Screen: Cultural and Historical Practices.
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- Film History, 2006, v. 18, n. 2, p. 107, doi. 10.1353/fih.2006.0012
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- Article