Afterword: Is Rome's Moonlight Different from Salem's?: Hawthorne's Reconceptualization of the Gothic.Published in:2012By:Elbert, Monika M.Publication type:Literary Criticism
Scaffold, Pulpit, Booth, and Possibly a Death-Bed: Scenes of Confession in Hawthorne and Poe.Published in:2012By:Davies, LaurencePublication type:Essay
"As Kinsmen, Met a Night": Charles Brockden Brown and Nathaniel Hawthorne as American Gothic Romancers.Published in:2012By:Cody, MichaelPublication type:Literary Criticism
The Ungovernable Puppets and Biopolitics of Hawthorne's Gothic Satires.Published in:2012By:Demson, MichaelPublication type:Literary Criticism
"Dwarves and Hobgoblins": Nathaniel Hawthorne, Gothic Children's Literature, and "A Wonder Book for Girls and Boys."Published in:2012By:Pacheco, DerekPublication type:Literary Criticism
Hawthorne's Transatlantic Gothic House of Fiction: "The House of the Seven Gables."Published in:2012By:Ginsberg, LesleyPublication type:Literary Criticism
"The Marble Faun" and the Challenge of Transnational Gothic.Published in:2012By:Berthold, DennisPublication type:Literary Criticism
Introduction: Haunted Hawthorne, Hawthorne's Hauntings.Published in:Nathaniel Hawthorne Review, 2012, v. 38, n. 2, p. iiBy:Elbert, Monika M.;Marshall, Bridget M.Publication type:Article