THIS IS NOT FUNNY: HOW MICHAEL HANEKE'S FUNNY GAMES CORRECTS ITS AUDIENCE.Published in:2013By:HOUWEN, JANNAPublication type:Film/TV Criticism and Review
"A HORSE WALKS INTO A BAR...": THE RHETORIC OF HUMOR AS CONSUMMATE COMMUNICATION CONTRIVANCE.Published in:2013By:YOUNG, SANDRAPublication type:Essay
INTERSECTIONS OF WIT AND RHETORIC: HUMOR AS A RHETORICAL ENTERPRISE.Published in:Proteus, 2013, v. 29, n. 1, p. 45By:SHERWOOD, STEVEPublication type:Article
THE ROAD TO EXCESS LEADS TO THE MAGIC CHRISTIAN: COMEDY, THE GROTESQUE, AND THE LIMITS OF THE BODY.Published in:Proteus, 2013, v. 29, n. 1, p. 29By:FLANAGAN, KEVIN M.Publication type:Article
EQUIPMENT FOR RIFFING: ADVANCED TEXT-READING TACTICS AND POLYVALENT CONSTRAINTS IN MYSTERY SCIENCE THEATER 3000.Published in:2013By:FOY, MATTPublication type:Film/TV Criticism and Review
"SHE REMEMBERED THAT HE HAD YET TO LEARN TO BE LAUGHT AT": HUMOR, HUMILITY, AND NATIONAL IDENTITY IN PRIDE AND PREJUDICE.Published in:2013By:MARTINSEN, JENNIFER L.Publication type:Literary Criticism
REVIEW EDITOR'S INTRODUCTION.Published in:Proteus, 2013, v. 29, n. 1, p. 1By:RAMSEY, MATTHEW C.Publication type:Article