THE HAITIAN REVOLUTION IN WILLIAM FAULKNER'S ABSALOM, ABSALOM; AND GEORGE WASHINGTON CABLE'S THE GRANDISSIMES.Published in:Faulkner Journal, 2014, v. 28, n. 2, p. 79, doi. 10.1353/fau.2014.0004By:Long, AdamPublication type:Article
THE SMELLER'S (ALMOST ALWAYS) A FELLER: A SENSORY STUDIES APPROACH TO EXAMINING GENDER AND SEXUALITY ACROSS NINE FAULKNER TEXTS.Published in:Faulkner Journal, 2014, v. 28, n. 2, p. 53, doi. 10.1353/fau.2014.0003By:Davis, LauraPublication type:Article
"WHO WAS THE WOMAN?": FEMININE SPACE AND THE SHAPING OF IDENTITY IN THE SOUND AND THE FURY.Published in:Faulkner Journal, 2014, v. 28, n. 2, p. 39, doi. 10.1353/fau.2014.0002By:Te MaPublication type:Article
ELEGY, EFFIGY: ALCHEMY AND THE DISPLACEMENT OF LAMENT IN AS I LAY DYING.Published in:2014By:Catchings, LibbyPublication type:Literary Criticism
PROPERTY IN ABSALOM, ABSALOM!: ROUSSEAU'S LEGACY IN FAULKNER.Published in:Faulkner Journal, 2014, v. 28, n. 2, p. 3, doi. 10.1353/fau.2014.0000By:Simon, JuliaPublication type:Article