HOLLYWOOD AESTHETIC: PLEASURE IN AMERICAN CINEMA.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
Works matching IS 08475911 AND DT 2017 AND VI 26 AND IP 2
Results: 11
1
2
WOMEN AND RESISTANCE IN CONTEMPORARY BENGALI CINEMA: A FREEDOM INCOMPLETE.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
3
TRANSGRESSION IN ANGLO-AMERICAN CINEMA: GENDER, SEX AND THE DEVIANT BODY.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
4
WHAT ALGORITHMS WANT: IMAGINATION IN THE AGE OF COMPUTING.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
5
DYING IN FULL DETAIL: MORTALITY AND DIGITAL DOCUMENTARY.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
6
REFLECTING THE MAN: GENDERING RACE IN PAUL HAGGIS'S CRASH.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 117, doi. 10.3138/CJFS.26.2.2017-0010
- By:
- Publication type:
- Article
7
PRÉGÉNÉRIQUES ET GÉNÉRIQUES DANS LES ADAPTATIONS CINÉMATOGRAPHIQUES QUÉBÉCOISES.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 93, doi. 10.3138/CJFS.26.2.2017-0009
- By:
- Publication type:
- Article
8
DEMOCRATIC MOVEMENT AND THE SPACES OF AMERICAN MODERNITY IN EARLY 1930S WOMAN'S FILMS.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 68, doi. 10.3138/CJFS.26.2.2017-0008
- By:
- Publication type:
- Article
9
BUILDING A HONG KONG STUDIO BRAND: MILKYWAY'S CHANGING IMAGE IN OVERSEAS CRITICAL RECEPTION.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 46, doi. 10.3138/CJFS.26.2.2017-0007
- By:
- Publication type:
- Article
10
"IT'S OVER": REFLEXIVITY IN DON MCKELLAR'S LAST NIGHT.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 31, doi. 10.3138/CJFS.26.2.2017-0006
- By:
- Publication type:
- Article
11
D. W. GRIFFITH ET L'ÉMERGENCE DU MONTAGE ALTERNÉ.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 1, doi. 10.3138/CJFS.26.2.2017-0005
- By:
- Publication type:
- Article