Works matching IS 08454450 AND DT 2017 AND VI 28 AND IP 56
Results: 34
H for HOPPER TO DUCHAMP.
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- PUBLIC, 2017, v. 28, n. 56, p. 76, doi. 10.1386/public.28.56.76_7
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N for NUDE BY THE WATERFALL.
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- PUBLIC, 2017, v. 28, n. 56, p. 103, doi. 10.1386/public.28.56.103_1
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F for FORESTAY WATERFALL.
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- PUBLIC, 2017, v. 28, n. 56, p. 47, doi. 10.1386/public.28.56.47_1
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Q for QUADRATE.
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- PUBLIC, 2017, v. 28, n. 56, p. 130, doi. 10.1386/public.28.56.130_7
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M for MAN RAY.
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- PUBLIC, 2017, v. 28, n. 56, p. 100, doi. 10.1386/public.28.56.100_7
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I for IKEA.
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- PUBLIC, 2017, v. 28, n. 56, p. 80, doi. 10.1386/public.28.56.80_7
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P for PROJECTION.
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- PUBLIC, 2017, v. 28, n. 56, p. 126, doi. 10.1386/public.28.56.126_1
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Y for YOU SEE/ACCELERATE THE GAP.
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- PUBLIC, 2017, v. 28, n. 56, p. 176, doi. 10.1386/public.28.56.176_1
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C for CAMERA OBSCURA (REVERSED).
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- PUBLIC, 2017, v. 28, n. 56, p. 22, doi. 10.1386/public.28.56.22_1
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Hamilton Babylon: A History of the McMaster Film Board.
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- PUBLIC, 2017, v. 28, n. 56, p. 216, doi. 10.1386/public.28.56.216_5
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O for ORIFICE.
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- PUBLIC, 2017, v. 28, n. 56, p. 122, doi. 10.1386/public.28.56.122_7
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X for XXX.
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- PUBLIC, 2017, v. 28, n. 56, p. 171, doi. 10.1386/public.28.56.171_1
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HYPNOGOGIC CITY, Mathew Borrett.
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- PUBLIC, 2017, v. 28, n. 56, p. 211, doi. 10.1386/public.28.56.211_5
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U for UNATTENDED.
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- PUBLIC, 2017, v. 28, n. 56, p. 159, doi. 10.1386/public.28.56.159_7
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VIVA ARTE VIVA, Curated by Christine Macel.
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- PUBLIC, 2017, v. 28, n. 56, p. 208, doi. 10.1386/public.28.56.208_5
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V for VOYEUR.
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- PUBLIC, 2017, v. 28, n. 56, p. 162, doi. 10.1386/public.28.56.162_7
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L for LIGHT.
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- PUBLIC, 2017, v. 28, n. 56, p. 98, doi. 10.1386/public.28.56.98_7
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W for WHEN THE WELSBACH BURNER WENT WEIRD AND WET.
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- PUBLIC, 2017, v. 28, n. 56, p. 166, doi. 10.1386/public.28.56.166_1
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B for BOÎTE-EN-VALISE.
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- PUBLIC, 2017, v. 28, n. 56, p. 17, doi. 10.1386/public.28.56.17_7
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J for JUST MARIA.
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- PUBLIC, 2017, v. 28, n. 56, p. 84, doi. 10.1386/public.28.56.84_7
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G for GYNOMORPHISM IN ÉTANT DONNÉS.
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- PUBLIC, 2017, v. 28, n. 56, p. 65, doi. 10.1386/public.28.56.65_1
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S for SCENE.
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- PUBLIC, 2017, v. 28, n. 56, p. 136, doi. 10.1386/public.28.56.136_1
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The Attendants/Interview with Michael Taylor.
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- PUBLIC, 2017, v. 28, n. 56, p. 187, doi. 10.1386/public.28.56.187_7
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A DIALOGUE FOR PUBLIC ATTENDANT A TO Z.
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- PUBLIC, 2017, v. 28, n. 56, p. 7, doi. 10.1386/public.28.56.7_7
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TERESA MARGOLLES: MUNDOS, Curated by John Zeppetelli and Emeren García.
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- PUBLIC, 2017, v. 28, n. 56, p. 214, doi. 10.1386/public.28.56.214_5
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WALK THROUGH WALLS: A MEMOIR (Marina Abramovic, with James Kaplan).
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- PUBLIC, 2017, v. 28, n. 56, p. 221, doi. 10.1386/public.28.56.221_5
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A for ANAGRAM.
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- PUBLIC, 2017, v. 28, n. 56, p. 10, doi. 10.1386/public.28.56.10_1
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D for DOOR.
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- PUBLIC, 2017, v. 28, n. 56, p. 32, doi. 10.1386/public.28.56.32_1
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The Nuclear Culture Source Book.
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- PUBLIC, 2017, v. 28, n. 56, p. 219, doi. 10.1386/public.28.56.219_5
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E for ÉTANT DONNÉS.
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- PUBLIC, 2017, v. 28, n. 56, p. 38, doi. 10.1386/public.28.56.38_1
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T for TOOLE.
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- PUBLIC, 2017, v. 28, n. 56, p. 141, doi. 10.1386/public.28.56.141_7
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R for READYMADE.
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- PUBLIC, 2017, v. 28, n. 56, p. 133, doi. 10.1386/public.28.56.133_7
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K for KAVAN.
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- PUBLIC, 2017, v. 28, n. 56, p. 87, doi. 10.1386/public.28.56.87_1
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Z for ZUGZWANG.
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- PUBLIC, 2017, v. 28, n. 56, p. 184, doi. 10.1386/public.28.56.184_7
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