Works matching IS 08454450 AND DT 2016 AND VI 27 AND IP 54
Results: 31
For this Land: Chiefswood.
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- PUBLIC, 2016, v. 27, n. 54, p. 94, doi. 10.1386/public.27.54.94_7
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Blueberry pie under a Martian sky.
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- PUBLIC, 2016, v. 27, n. 54, p. 155, doi. 10.1386/public.27.54.155_7
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Skull Stories.
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- PUBLIC, 2016, v. 27, n. 54, p. 90, doi. 10.1386/public.27.54.90_5
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The Phone Booth Project. Martu Media Memories: A Conversation in Three Parts.
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- PUBLIC, 2016, v. 27, n. 54, p. 110, doi. 10.1386/public.27.54.110_7
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Public Studio, What We Lose in Metrics.
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- PUBLIC, 2016, v. 27, n. 54, p. 192, doi. 10.1386/public.27.54.192_5
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Artwork.
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- PUBLIC, 2016, v. 27, n. 54, p. 172, doi. 10.1386/public.27.54.172_7
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Richard Ibghy and Marilou Lemmens, Putting Life to Work.
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- PUBLIC, 2016, v. 27, n. 54, p. 194, doi. 10.1386/public.27.54.194_5
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Bodies that Matter.
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- PUBLIC, 2016, v. 27, n. 54, p. 146, doi. 10.1386/public.27.54.146_7
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Exhibiting the Moving Image: History Revisited, François Bovier and Adeena Mey (eds).
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- PUBLIC, 2016, v. 27, n. 54, p. 199, doi. 10.1386/public.27.54.199_5
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Tilllutarniit: History, Land and Resilience in Inuit Film and Video.
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- PUBLIC, 2016, v. 27, n. 54, p. 104, doi. 10.1386/public.27.54.104_7
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Transmissions: The Future Possibilities of Indigenous Digital and New Media Art.
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- PUBLIC, 2016, v. 27, n. 54, p. 5, doi. 10.1386/public.27.54.5_7
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LEFT_CHANNEL.
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- PUBLIC, 2016, v. 27, n. 54, p. 54, doi. 10.1386/public.27.54.54_7
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In Dialogue: Scott Benesiinaabandan's waabana'iwewin (exhibition).
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- PUBLIC, 2016, v. 27, n. 54, p. 158, doi. 10.1386/public.27.54.158_7
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Coming of Age under Colonialism.
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- PUBLIC, 2016, v. 27, n. 54, p. 63, doi. 10.1386/public.27.54.63_7
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Re:lating Necessity and Invention: How Sara Diamond and The Banff Centre Aided Indigenous New Media Production (1992-2005).
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- PUBLIC, 2016, v. 27, n. 54, p. 25, doi. 10.1386/public.27.54.25_7
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The Ancients and the Postmoderns, Fredric Jameson.
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- PUBLIC, 2016, v. 27, n. 54, p. 201, doi. 10.1386/public.27.54.201_5
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Games as Enduring Presence.
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- PUBLIC, 2016, v. 27, n. 54, p. 178, doi. 10.1386/public.27.54.178_1
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A Brief (Media) History of the Indigenous Future.
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- PUBLIC, 2016, v. 27, n. 54, p. 36, doi. 10.1386/public.27.54.36_1
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Pou Rewa, the Liquid Post, M?ori Go Digital?
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- PUBLIC, 2016, v. 27, n. 54, p. 14, doi. 10.1386/public.27.54.14_1
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Deciphering the Refusal of the Digital and Binary Codes of Sovereignty/Self-Determination and Civilized/Savage.
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- PUBLIC, 2016, v. 27, n. 54, p. 78, doi. 10.1386/public.27.54.78_1
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Digital Games Stills.
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- PUBLIC, 2016, v. 27, n. 54, p. 187, doi. 10.1386/public.27.54.187_7
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Aesthetics, Violence, and Indigeneity.
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- PUBLIC, 2016, v. 27, n. 54, p. 58, doi. 10.1386/public.27.54.58_1
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Nga Whatu-ora: We The Living Are The Seeing Eyes Of Our Sleeping Ancestors.
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- PUBLIC, 2016, v. 27, n. 54, p. 132, doi. 10.1386/public.27.54.132_1
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Performance and Temporalisation: Time Happens, Stuart Grant, Jodie McNeilly and Maeva Veerapen (eds).
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- PUBLIC, 2016, v. 27, n. 54, p. 204, doi. 10.1386/public.27.54.204_5
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Girls' Feminist Blogging in a Postfeminist Age, Jessalynn Keller.
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- PUBLIC, 2016, v. 27, n. 54, p. 206, doi. 10.1386/public.27.54.206_5
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Artwork (She Is Dancing With Herself, Dancing With Myself).
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- PUBLIC, 2016, v. 27, n. 54, p. 51, doi. 10.1386/public.27.54.51_7
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On Indigenous Digit-al Media and Augmented Realities in Will Wilson's eyeDazzler: Trans-customary Portal to Another Dimension.
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- PUBLIC, 2016, v. 27, n. 54, p. 122, doi. 10.1386/public.27.54.122_1
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Animation Stills.
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- PUBLIC, 2016, v. 27, n. 54, p. 128, doi. 10.1386/public.27.54.128_7
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Reverse Notions, Darkness and Light.
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- PUBLIC, 2016, v. 27, n. 54, p. 66, doi. 10.1386/public.27.54.66_7
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Nomi Drory, Pivot.
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- PUBLIC, 2016, v. 27, n. 54, p. 197, doi. 10.1386/public.27.54.197_5
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Arctic Cultural (Mis)Representation: Advocacy, Activism, and Artistic Expression on Social Media.
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- PUBLIC, 2016, v. 27, n. 54, p. 98, doi. 10.1386/public.27.54.98_1
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