Calgary (1988): A cultural Olympiad avant la lettre.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 131, doi. 10.1386/public.27.53.131_1
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- Publication type:
- Article
Works matching IS 08454450 AND DT 2016 AND VI 27 AND IP 53
Results: 21
1
2
States of no exception: Expo 2015 in Milano.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 157, doi. 10.1386/public.27.53.157_7
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- Article
3
'You just censored two native artists': Art as antidote, resisting the Vancouver Olympics.
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- PUBLIC, 2016, v. 27, n. 53, p. 35, doi. 10.1386/public.27.53.35_1
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- Article
4
Exhibition Review: Nichola Feldman-Kiss, Witness, Curaed by Catherine Sinclair, Ottowa Art Gallery, Ottowa, 2 October 2015-7 February 2016.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 182, doi. 10.1386/public.27.53.182_5
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- Article
5
Hosts and guests.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 13, doi. 10.1386/public.27.53.13_1
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- Article
6
'The aesthetics of austerity'.
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- PUBLIC, 2016, v. 27, n. 53, p. 118, doi. 10.1386/public.27.53.118_7
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- Article
7
'Figures (2015) - mass sculptural durational performance'.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 176, doi. 10.1386/public.27.53.176_7
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- Article
8
Mega-event cities: Art/audiences/aftermaths.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 5, doi. 10.1386/public.27.53.5_7
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- Publication type:
- Article
9
The Art and Politics of Asger Jorn: The Avant-Garde Won't Give Up, Karen Kurczynski.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 185, doi. 10.1386/public.27.53.185_5
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- Publication type:
- Article
10
The illusion of inclusion: Agenda 21 and the commodification of Aboriginal culture in the Vancouver 2010 Olympic Games.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 22, doi. 10.1386/public.27.53.22_1
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- Publication type:
- Article
11
'Public Art as Collective Practice': 'Collective Breath Poster'.
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- PUBLIC, 2016, v. 27, n. 53, p. 105, doi. 10.1386/public.27.53.105_7
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- Publication type:
- Article
12
All that Glitters: Sport, BP, and Repression in Azerbaijan ('The great coming out Party of Azerbaijan' and 'What the marriage has created').
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 149, doi. 10.1386/public.27.53.149_1
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- Publication type:
- Article
13
'Public Art as Collective Practice': 'Collective Breath Poster'.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 199, doi. 10.1386/public.27.53.199_7
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- Publication type:
- Article
14
Olympian performance: The cultural economics of the opening ceremony of London 2012.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 49, doi. 10.1386/public.27.53.49_1
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- Publication type:
- Article
15
Media archaeologies of the Olympic city.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 58, doi. 10.1386/public.27.53.58_1
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- Article
16
A battle for a brave new world.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 90, doi. 10.1386/public.27.53.90_1
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- Publication type:
- Article
17
A Theory of the Drone, Grégoire Chamayou (2015), New York: New Press.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 185, doi. 10.1386/public.27.53.187_5
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- Publication type:
- Article
18
Olympic homonationalisms.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 140, doi. 10.1386/public.27.53.140_7
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- Publication type:
- Article
19
Surface: Matters of Aesthetics, Materiality, and Media, Giuliana Bruno (2014), Chicago: University of Chicago Press.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 192, doi. 10.1386/public.27.53.192_5
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- Publication type:
- Article
20
Breaking and Entering: The Contemporary House Cut, Spliced, and Haunted.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 190, doi. 10.1386/public.27.53.190_5
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- Publication type:
- Article
21
Inelastic Olympic hopefuls: Rhythmic mis-interpellation in three auditions for the London 2012 ceremonies.
- Published in:
- PUBLIC, 2016, v. 27, n. 53, p. 75, doi. 10.1386/public.27.53.75_1
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- Publication type:
- Article