In Opera, the Close-up Is the Aria.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 109, doi. 10.1093/oq/kbae009
- By:
- Publication type:
- Article
Works matching IS 07360053 AND DT 2022 AND VI 38 AND IP 1-4
Results: 9
1
2
Afterthoughts on Lost Highway.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 104, doi. 10.1093/oq/kbae008
- By:
- Publication type:
- Article
3
My approach is always empathy.
- Published in:
- 2022
- By:
- Publication type:
- Interview
4
Opera and Film in the Loop: Persona Speaking, Persona Singing. A Conversation with Composer Keeril Makan.
- Published in:
- 2022
- By:
- Publication type:
- Interview
5
"You died yesterday, I'm sorry for your loss": After Life in Film and Opera.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
6
When Film Becomes Opera: The Challenges of Adaptation on the Verge of Metamorphosis.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 4, doi. 10.1093/oq/kbae004
- By:
- Publication type:
- Article
7
Philip Glass's Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 24, doi. 10.1093/oq/kbae003
- By:
- Publication type:
- Article
8
Leveling Up in Oper Frankfurt's Lost Highway (2018).
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
9
From Film to Opera – A Note from the Guest Editors.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 1, doi. 10.1093/oq/kbae001
- By:
- Publication type:
- Article