Rossinian Opera in Translation: José Bernardo Alzedo's Church Music in Mid-Nineteenth-Century Chile.Published in:Opera Quarterly, 2019, v. 35, n. 4, p. 251, doi. 10.1093/oq/kbaa008By:König, José Manuel IzquierdoPublication type:Article
Meredith Monk's ATLAS in Los Angeles.Published in:2019By:Miller, Paul VPublication type:Performance Review
"Guarda un po": Seductive Visuality in Remediated Opera.Published in:Opera Quarterly, 2019, v. 35, n. 4, p. 297, doi. 10.1093/oq/kbaa006By:Sirmons, JuliaPublication type:Article
Laurence Senelick: Jacques Offenbach and the Making of Modern Culture.Published in:2019By:Cruz, GabrielaPublication type:Book Review
Big Marionette, Little Marionette.Published in:2019By:Fenn, HayleyPublication type:Performance Review
Eight, aus Licht, and The Unbearable Lightness of Being Immersed in Opera.Published in:Opera Quarterly, 2019, v. 35, n. 4, p. 358, doi. 10.1093/oq/kbaa003By:Novak, JelenaPublication type:Article
When the Puppets Get Together: Looking Like a Subject in The Archers' The Tales of Hoffmann.Published in:Opera Quarterly, 2019, v. 35, n. 4, p. 276, doi. 10.1093/oq/kbaa002By:Fenley, MarissaPublication type:Article