A Note from the Guest Editor.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 113, doi. 10.1093/oq/kby011
- By:
- Publication type:
- Article
Works matching IS 07360053 AND DT 2018 AND VI 34 AND IP 2/3
Results: 9
1
2
Musical Sources and "Thereness": The Location of Inspiration in Cinematic Adaptations of Le Fantôme de l'Opéra.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 126, doi. 10.1093/oq/kby010
- By:
- Publication type:
- Article
3
The Music of Il Fantasma dell'Opera by Dario Argento.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 221, doi. 10.1093/oq/kby014
- By:
- Publication type:
- Article
4
El Fantasma and Tin Tan: Genre Hybridity and Musical Nostalgia in Fernando Cortés's El Fantasma de la opereta (1959).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 187, doi. 10.1093/oq/kby001
- By:
- Publication type:
- Article
5
Deals with the Devil: Faust, Contracts, and the Dangers of Mechanical Reproduction in Brian De Palma's Phantom of the Paradise (1974).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 201, doi. 10.1093/oq/kby013
- By:
- Publication type:
- Article
6
Corrigendum.
- Published in:
- 2018
- Publication type:
- Correction Notice
7
Controlling Voices: Singing in Phantom Films.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 242, doi. 10.1093/oq/kby006
- By:
- Publication type:
- Article
8
"¡Viva la comedia musical!": Dramatizing Genre Porosity and Argentine Cosmopolitanism in El fantasma de la opereta (Carreras, 1955).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 168, doi. 10.1093/oq/kby002
- By:
- Publication type:
- Article
9
The Phantom of the Opera and the Performance of Cinema.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 153, doi. 10.1093/oq/kby009
- By:
- Publication type:
- Article