Tosca and the Nightingale: Broadcasting Opera in Fascist Italy.Published in:Opera Quarterly, 2018, v. 34, n. 1, p. 65, doi. 10.1093/oq/kby015By:Simon, DaniellePublication type:Article
A Note from the Executive Editor.Published in:Opera Quarterly, 2018, v. 34, n. 1, p. 1, doi. 10.1093/oq/kby012By:Schwartz, ArmanPublication type:Article
George Benjamin: Lessons in Love and Violence, reviewed by Axel Englund.Published in:2018By:Englund, AxelPublication type:Performance Review
Film Music avant la lettre? Disentangling Film from Opera in Italy, c. 1913.Published in:2018By:Ladd, MarcoPublication type:Film/TV Criticism and Review
Emily Wilbourne: Seventeenth-Century Opera and the Sound of the Commedia dell'Arte, reviewed by Stephanie Gunst.Published in:2018By:Gunst, StephaniePublication type:Book Review
Claire van Kampen: Farinelli and the King, with Mark Rylance, Melody Grove, Sam Crane, and Iestyn Davies, reviewed by Karen Henson.Published in:2018By:Henson, KarenPublication type:Performance Review
(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks.Published in:Opera Quarterly, 2018, v. 34, n. 1, p. 3, doi. 10.1093/oq/kby005By:Vella, FrancescaPublication type:Article