Operatic Ghosts on Screen: The Case of A Test of Love (1958).
- Published in:
- 2010
- By:
- Publication type:
- Essay
Works matching IS 07360053 AND DT 2010 AND VI 26 AND IP 2/3
Results: 22
1
2
Contents Page.
- Published in:
- 2010
- Publication type:
- Table of Contents
3
Turandot in China: Rejected, Reinterpreted, Reclaimed.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 486, doi. 10.1093/oq/kbq029
- By:
- Publication type:
- Article
4
Befriending Eisenstein on My First Trip to the Soviet Union.
- Published in:
- 2010
- By:
- Publication type:
- Excerpt
5
Re-makes/Re-models: The Red Detachment of Women between Stage and Screen.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 316, doi. 10.1093/oq/kbq015
- By:
- Publication type:
- Article
6
The Politics of Remediation: Mise-en-scène and the Subjunctive Body in Chinese Opera Film.
- Published in:
- 2010
- By:
- Publication type:
- Essay
7
On the Revolution in Peking Opera (Tan Jingju geming).
- Published in:
- 2010
- By:
- Publication type:
- Speech
8
Joshua Goldstein: Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
9
“Eight Stage Works for 800 Million People”*: The Great Proletarian Cultural Revolution in Music—A View from Revolutionary Opera.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 377, doi. 10.1093/oq/kbq017
- By:
- Publication type:
- Article
10
Chinese Operas on Stage and Screen: A Short Introduction.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 181, doi. 10.1093/oq/kbq028
- By:
- Publication type:
- Article
11
A Note from the Guest Editors.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 179, doi. 10.1093/oq/kbq032
- By:
- Publication type:
- Article
12
Editorial Board.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. NP, doi. 10.1093/oq/kbq039
- Publication type:
- Article
13
Azalea Mountain and Late Mao Culture.
- Published in:
- 2010
- By:
- Publication type:
- Essay
14
Meeting of the Eyes: Invented Gesture, Cinematic Choreography, and Mei Lanfang's Kun Opera Film.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 200, doi. 10.1093/oq/kbq018
- By:
- Publication type:
- Article
15
Reading off the Screen: Toward Cinematic Il-literacy in Late 1950s Chinese Opera Film.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 291, doi. 10.1093/oq/kbq020
- By:
- Publication type:
- Article
16
Subscription Page.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. NP, doi. 10.1093/oq/kbq038
- Publication type:
- Article
17
Notes about Directing Married to a Heavenly Immortal.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 435, doi. 10.1093/oq/kbq027
- By:
- Publication type:
- Article
18
Reflections on the Film Forever Enthralled (Mei Lanfang).
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
19
Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Essay
20
Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
21
Cover Page.
- Published in:
- 2010
- Publication type:
- Cover Art
22
The Design and Style of Opera Films.
- Published in:
- Opera Quarterly, 2010, v. 26, n. 2/3, p. 446, doi. 10.1093/oq/kbq033
- By:
- Publication type:
- Article