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A Note from the Guest Editor.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 113, doi. 10.1093/oq/kby011
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- Publication type:
- Article
Musical Sources and "Thereness": The Location of Inspiration in Cinematic Adaptations of Le Fantôme de l'Opéra.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 126, doi. 10.1093/oq/kby010
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- Publication type:
- Article
El Fantasma and Tin Tan: Genre Hybridity and Musical Nostalgia in Fernando Cortés's El Fantasma de la opereta (1959).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 187, doi. 10.1093/oq/kby001
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- Publication type:
- Article
The Music of Il Fantasma dell'Opera by Dario Argento.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 221, doi. 10.1093/oq/kby014
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- Publication type:
- Article
Deals with the Devil: Faust, Contracts, and the Dangers of Mechanical Reproduction in Brian De Palma's Phantom of the Paradise (1974).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 201, doi. 10.1093/oq/kby013
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- Publication type:
- Article
Controlling Voices: Singing in Phantom Films.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 242, doi. 10.1093/oq/kby006
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- Publication type:
- Article
Corrigendum.
- Published in:
- 2018
- Publication type:
- Correction Notice
"¡Viva la comedia musical!": Dramatizing Genre Porosity and Argentine Cosmopolitanism in El fantasma de la opereta (Carreras, 1955).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 168, doi. 10.1093/oq/kby002
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- Publication type:
- Article
The Phantom of the Opera and the Performance of Cinema.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 153, doi. 10.1093/oq/kby009
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- Publication type:
- Article