Works matching IS 07332033 AND DT 2021 AND VI 40
Results: 28
Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate.
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- Theatre History Studies, 2021, v. 40, p. 1
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Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason.
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- Theatre History Studies, 2021, v. 40, p. 1
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Introduction.
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- Theatre History Studies, 2021, v. 40, p. 1, doi. 10.1353/ths.2021.0000
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Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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To Wright the Witch: The Case of Joanna Baillie's Witchcraft.
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- Theatre History Studies, 2021, v. 40, p. 1
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Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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The Drama of Celebrity by Sharon Marcus (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Irish Drama and Theatre Since 1950 by Patrick Lonergan (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom.
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- Theatre History Studies, 2021, v. 40, p. 1
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Occupying the Stage: The Theater of May '68 by Kate Bredeson (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale.
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- Theatre History Studies, 2021, v. 40, p. 1
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Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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New Conventions for a New Generation: High School Musicals and Broadway in the 2010s.
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- Theatre History Studies, 2021, v. 40, p. 1
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Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell.
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- Theatre History Studies, 2021, v. 40, p. 1
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Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Edwin Forrest: A Biography and Performance History by Arthur W. Bloom (review).
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- Theatre History Studies, 2021, v. 40, p. 1
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Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances.
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- Theatre History Studies, 2021, v. 40, p. 1
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Contributors.
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- Theatre History Studies, 2021, v. 40, p. 1
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Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939.
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- Theatre History Studies, 2021, v. 40, p. 1
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Books Received.
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- Theatre History Studies, 2021, v. 40, p. 1
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Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance.
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- Theatre History Studies, 2021, v. 40, p. 1
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(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked.
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- Theatre History Studies, 2021, v. 40, p. 1
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