Dost thou see a Martin who is Wise in his own Conceit? There is more hope in a fool than in him.Published in:Renaissance Papers, 2014, v. 53, p. 109By:Hill, Christopher A.Publication type:Article
English Dogs and Barbary Horses: Horses, Dogs, and Identity in Renaissance England.Published in:Renaissance Papers, 2014, v. 53, p. 123By:Kucinski, Joanna J.Publication type:Article
Devotion in the Present Progressive: Clothing and Lyric Renewal in The Temple.Published in:2014By:Ulevich, LisaPublication type:Literary Criticism
"To catchen hold of that long chaine": Spenserian echoes in Jonson's "Epode".Published in:2014By:Coulter, WilliamPublication type:Literary Criticism
The Ovidian Recusatio in Marlowe's Hero and Leander.Published in:2014By:Macfie, Pamela RoystonPublication type:Literary Criticism
The Devil, Not the Pope: Anti-Catholicism and Textual Difference in Doctor Faustus.Published in:2014By:Goldfarb, PhilipPublication type:Literary Criticism
Grotesque Sex: Hermaphroditism and Castration in Jonson's Volpone.Published in:2014By:Sarah MayoPublication type:Literary Criticism
"All is but Hinnying Sophistry": The Role of Puritan Logic in Bartholomew Fair.Published in:Renaissance Papers, 2014, v. 53, p. 17By:Wilson, Emma AnnettePublication type:Article
"Straunge Motion": Puppetry, Faust, and the Mechanics of Idolatry.Published in:Renaissance Papers, 2014, v. 53, p. 59By:Shelton, BarryPublication type:Article
Who Was Jane Scrope?Published in:Renaissance Papers, 2014, v. 53, p. 1By:Stockard, EmilyPublication type:Article