Works matching IS 03515796 AND DT 2024 AND VI 55 AND IP 2
Results: 7
Is There a Sonic Climate of Zulu History?
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 335, doi. 10.21857/yvjrdcdxgy
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Avanti and the Young Communist League of Sweden: Using the Recording Industry to Produce Political Ideology.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 305, doi. 10.21857/yrvgqt3gq9
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Symbolic Changes in Modern Chinese Military Bands from Westernization to Revolution (c. 1895 to c. 1937).
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 283, doi. 10.21857/m16wjcwkj9
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Music, Poetry, and Modernity: Shaping a Musical Public in Early Nineteenth-century Germany.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 267, doi. 10.21857/ydkx2cvx39
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The First Appearance of the Clarinet in the Mannheim Orchestra and Symphonies: Its Historical Significance and Effects.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 219, doi. 10.21857/90836c2g7y
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»Hidden in the Rules of Beauty« -- Multiplicity in Berlin Montagsklub Duets and its Meaning to the Performer.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 239, doi. 10.21857/m8vqrt35z9
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The Teacher and the Mirror: The Old Testament in 17th-Century Music Historiography.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 2, p. 203, doi. 10.21857/9e31lhz06m
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- Article