Found: 24
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AIDS and its representation in the works of William S. Burroughs.
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- Neohelicon, 2021, v. 48, n. 2, p. 493, doi. 10.1007/s11059-021-00613-x
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Introduction to the special cluster "Never really far from us—epidemics and plagues in literature".
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- Neohelicon, 2021, v. 48, n. 2, p. 435, doi. 10.1007/s11059-021-00612-y
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When disease encounters precepts: healing narratives in the Further biographies of eminent monks (續高僧傳).
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- Neohelicon, 2021, v. 48, n. 2, p. 443, doi. 10.1007/s11059-021-00610-0
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On metaphor of diseases in the classical Chinese novel Liaozhai Zhiyi.
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- Neohelicon, 2021, v. 48, n. 2, p. 457, doi. 10.1007/s11059-021-00609-7
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Youth solving pandemics: hopeful futures in Maths Claesson's novel Pandemic.
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- Neohelicon, 2021, v. 48, n. 2, p. 465, doi. 10.1007/s11059-021-00608-8
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Camus, Roth, Covid-19: the dangers of forgetting.
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- Neohelicon, 2021, v. 48, n. 2, p. 503, doi. 10.1007/s11059-021-00607-9
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The art of narrative deferral: Madani's L'histoire peut attendre.
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- Neohelicon, 2021, v. 48, n. 2, p. 631, doi. 10.1007/s11059-021-00600-2
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Rerooting the core: Cold War anticommunism and North American Influence in Romanian postmodernism.
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- Neohelicon, 2021, v. 48, n. 2, p. 561, doi. 10.1007/s11059-021-00604-y
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The birth of modern Chinese epics: Shi Tang and his Hero of the prairie.
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- Neohelicon, 2021, v. 48, n. 2, p. 719, doi. 10.1007/s11059-021-00603-z
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Deconstructing master narratives through cognitive games in Hanay Geiogamah's Body Indian, Foghorn, and 49.
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- Neohelicon, 2021, v. 48, n. 2, p. 695, doi. 10.1007/s11059-021-00602-0
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The culture and politics of the trash and the trash pickers in Jia Pingwa's Happy Dreams.
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- Neohelicon, 2021, v. 48, n. 2, p. 639, doi. 10.1007/s11059-021-00601-1
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"Christianity is an epidemic": on Hölderlin and the plague.
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- Neohelicon, 2021, v. 48, n. 2, p. 477, doi. 10.1007/s11059-021-00606-w
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La responsabilité de l'écrivain antillais contemporain de l'exterieur.
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- Neohelicon, 2021, v. 48, n. 2, p. 669, doi. 10.1007/s11059-021-00599-6
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Wang Xiaobo: la libération sexuelle contre une société castratrice.
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- Neohelicon, 2021, v. 48, n. 2, p. 655, doi. 10.1007/s11059-021-00598-7
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Power imbalance in translaboration: a perspective from Chinese translation history.
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- Neohelicon, 2021, v. 48, n. 2, p. 599, doi. 10.1007/s11059-021-00597-8
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Contesting the man-eater animal(ity): changing paradigms of the colonial-colonised relationship.
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- Neohelicon, 2021, v. 48, n. 2, p. 751, doi. 10.1007/s11059-021-00596-9
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W. H. Auden's syllabic poetics within the framework of world literature.
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- Neohelicon, 2021, v. 48, n. 2, p. 735, doi. 10.1007/s11059-021-00595-w
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The cognitive-pragmatic inference in literary translation: a comparative study of Mai Jia's Jie Mi and its English version.
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- Neohelicon, 2021, v. 48, n. 2, p. 613, doi. 10.1007/s11059-021-00594-x
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Translation as subversion and subjugation: Sándor Petőfi's "Liberty and Love" in China.
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- Neohelicon, 2021, v. 48, n. 2, p. 577, doi. 10.1007/s11059-021-00593-y
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"No Place Like Home": trauma and placelessness in Elizabeth Bowen's The House in Paris.
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- Neohelicon, 2021, v. 48, n. 2, p. 769, doi. 10.1007/s11059-021-00589-8
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"Arrows are targeted at both the left and the right": Han Shaogong's intervention into contemporary Chinese intellectual debate.
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- Neohelicon, 2021, v. 48, n. 2, p. 515, doi. 10.1007/s11059-021-00579-w
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Le double entre fantastique et folie : Dostoïevski, Nabokov et le cinéma contemporain.
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- Neohelicon, 2021, v. 48, n. 2, p. 553, doi. 10.1007/s11059-021-00578-x
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The dis/entanglements of knowledge: transversing matter, subjectivity and identity in VS Naipaul and Igshaan Adams.
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- Neohelicon, 2021, v. 48, n. 2, p. 677, doi. 10.1007/s11059-021-00577-y
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Verbal art across language and culture: poetry as music.
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- Neohelicon, 2021, v. 48, n. 2, p. 539, doi. 10.1007/s11059-021-00592-z
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