Introduction: Ephemerality in the digital age—creating, preserving, and sharing practices across media.
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- Neohelicon, 2021, v. 48, n. 1, p. 1, doi. 10.1007/s11059-021-00591-0
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- Article
Works matching IS 03244652 AND DT 2021 AND VI 48 AND IP 1
Results: 28
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Ephemeral identities, blurred geographies, and social media in twenty-first-century French fiction: a reading of Licorne by Nora Sandor and Un amour d'espion by Clément Bénech.
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- Neohelicon, 2021, v. 48, n. 1, p. 95, doi. 10.1007/s11059-021-00590-1
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- Article
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Genre ambiguity and (ephemeral) digital epitexts: co-constructing Michael Chabon's Moonglow.
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- Neohelicon, 2021, v. 48, n. 1, p. 75, doi. 10.1007/s11059-021-00586-x
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- Article
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The mushrooms of the Nibelung: how Twitter-paratexts about Friedrich Hebbel's staging at Rheinisches Landestheater Neuss deal with ephemera.
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- Neohelicon, 2021, v. 48, n. 1, p. 53, doi. 10.1007/s11059-021-00585-y
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- Article
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Landscape/mindscape/langscape: The ephemerality of the digital and of the real in Marlene Creates's video-poems for ice and snow.
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- Neohelicon, 2021, v. 48, n. 1, p. 113, doi. 10.1007/s11059-021-00584-z
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The ephemerae of digital literature.
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- Neohelicon, 2021, v. 48, n. 1, p. 7, doi. 10.1007/s11059-021-00583-0
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Virtual museums: interpreting and recreating digital cultural content.
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- Neohelicon, 2021, v. 48, n. 1, p. 23, doi. 10.1007/s11059-021-00582-1
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Similar archetypes and different narratives: a comparative study of Chinese "Yeh Hsien" and European Cinderella stories.
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- Neohelicon, 2021, v. 48, n. 1, p. 245, doi. 10.1007/s11059-020-00564-9
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- Article
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Post-global and post-digital children's literature: some users' legitimation strategies on the Net.
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- Neohelicon, 2021, v. 48, n. 1, p. 127, doi. 10.1007/s11059-021-00581-2
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10
Transmedia principles in impressionism spanning painting, music and literature.
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- Neohelicon, 2021, v. 48, n. 1, p. 299, doi. 10.1007/s11059-020-00558-7
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- Article
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Writing the history of "you": second-person narration and the plight of the Nubian in Idris Ali's Below the poverty line.
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- Neohelicon, 2021, v. 48, n. 1, p. 143, doi. 10.1007/s11059-020-00549-8
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"Writing as enlightenment": Don DeLillo's Buddhism and postsecular writing.
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- Neohelicon, 2021, v. 48, n. 1, p. 367, doi. 10.1007/s11059-020-00548-9
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Ephemerality in the digital world: Estonian case studies of digital literature and digital literary heritage projects.
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- Neohelicon, 2021, v. 48, n. 1, p. 39, doi. 10.1007/s11059-021-00580-3
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14
Jelena Dimitrijević et Pierre Loti : l'Orient et l'Occident en contact.
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- Neohelicon, 2021, v. 48, n. 1, p. 281, doi. 10.1007/s11059-021-00576-z
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Tracing Huxley's orientalism: the European 'Oriental' background and Jesting Pilate as intellectual travelogue.
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- Neohelicon, 2021, v. 48, n. 1, p. 211, doi. 10.1007/s11059-021-00575-0
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An experience of in-betweenness: Translation as border writing in Gene Luen Yang's American Born Chinese.
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- Neohelicon, 2021, v. 48, n. 1, p. 161, doi. 10.1007/s11059-021-00574-1
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Une Étude critique de Madame la présidente de Fatou Fanny-Cissé.
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- Neohelicon, 2021, v. 48, n. 1, p. 403, doi. 10.1007/s11059-020-00573-8
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- Article
18
Landscapes and Taoism in Ezra Pound's Cantos.
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- Neohelicon, 2021, v. 48, n. 1, p. 179, doi. 10.1007/s11059-020-00571-w
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19
A Bourdieusian and Simmelian analysis of the doomed interpersonal relationships in Eileen Chang's "Red rose, white rose" and Elfriede Jelinek's Die Liebhaberinnen.
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- Neohelicon, 2021, v. 48, n. 1, p. 267, doi. 10.1007/s11059-020-00572-9
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From the margins of the National Centre: two plays by Native American playwright Hanay Geiogamah.
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- Neohelicon, 2021, v. 48, n. 1, p. 387, doi. 10.1007/s11059-020-00569-4
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The spatialized narratives in Alain Robbe-Grillet's "The secret room" and Wang Anyi's "The public kitchen".
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- Neohelicon, 2021, v. 48, n. 1, p. 257, doi. 10.1007/s11059-020-00565-8
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The empire as the embodiment of modern intellect: a critical reading of Coetzee's Waiting for the Barbarians through Levinas.
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- Neohelicon, 2021, v. 48, n. 1, p. 355, doi. 10.1007/s11059-020-00547-w
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Conscious application of creativity dynamics as an approach to the formation and appreciation of literary creativity.
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- Neohelicon, 2021, v. 48, n. 1, p. 313, doi. 10.1007/s11059-020-00546-x
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Various voices in dialect and the frequency issue in the Chinese translations of Tess of the d'Urbervilles.
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- Neohelicon, 2021, v. 48, n. 1, p. 415, doi. 10.1007/s11059-020-00543-0
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Das Bild der arabischen Welt in der deutschen Gegenwartsliteratur als Reflexionsfläche politischer Umbrüche im 21. Jahrhundert.
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- Neohelicon, 2021, v. 48, n. 1, p. 227, doi. 10.1007/s11059-020-00538-x
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26
Universality, heterogeneity, and worlding: meanings of comparison in Chinese comparative literature.
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- Neohelicon, 2021, v. 48, n. 1, p. 339, doi. 10.1007/s11059-020-00523-4
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27
Erratum to: Wassily Kandinsky's The Yellow Sound as a total work of art.
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- 2021
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- Correction Notice
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RETRACTED ARTICLE: Wassily Kandinsky's The Yellow Sound as a total work of art.
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- 2021
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- Correction Notice