Works matching IS 03150836 AND DT 2017
1
- Canadian Theatre Review, 2017, n. 172, p. 119, doi. 10.3138/ctr.172.025
- Article
2
- Canadian Theatre Review, 2017, n. 172, p. 115, doi. 10.3138/ctr.172.024
- Article
3
- Canadian Theatre Review, 2017, n. 172, p. 110, doi. 10.3138/ctr.172.023
- MacPherson, Coleen Shirin
- Article
4
- Canadian Theatre Review, 2017, n. 172, p. 105, doi. 10.3138/ctr.172.022
- Article
5
- Canadian Theatre Review, 2017, n. 172, p. 100, doi. 10.3138/ctr.172.021
- Article
6
- Canadian Theatre Review, 2017, n. 172, p. 98, doi. 10.3138/ctr.172.020
- Article
7
- Canadian Theatre Review, 2017, n. 172, p. 88, doi. 10.3138/ctr.172.019
- Article
8
- 2017
- Twigg, Troy Emery;
- Demeanor, Kris;
- Barton, Bruce
- Interview
9
- Canadian Theatre Review, 2017, n. 172, p. 77, doi. 10.3138/ctr.172.017
- Van Fossen, Rachael;
- Ndejuru, Lisa
- Article
10
- Canadian Theatre Review, 2017, n. 172, p. 73, doi. 10.3138/ctr.172.016
- Dobie, Gwenyth;
- Mackwood, William
- Article
11
- Canadian Theatre Review, 2017, n. 172, p. 68, doi. 10.3138/ctr.172.015
- Article
12
- Canadian Theatre Review, 2017, n. 172, p. 63, doi. 10.3138/ctr.172.014
- Blenkarn, Patrick;
- Lewis, Cole;
- Wells, Ker
- Article
13
- Canadian Theatre Review, 2017, n. 172, p. 58, doi. 10.3138/ctr.172.013
- Article
14
- 2017
- Question & Answer
15
- Canadian Theatre Review, 2017, n. 172, p. 52, doi. 10.3138/ctr.172.011
- Article
16
- Canadian Theatre Review, 2017, n. 172, p. 48, doi. 10.3138/ctr.172.010
- Article
17
- Canadian Theatre Review, 2017, n. 172, p. 42, doi. 10.3138/ctr.172.009
- Article
18
- Canadian Theatre Review, 2017, n. 172, p. 37, doi. 10.3138/ctr.172.008
- Article
19
- Canadian Theatre Review, 2017, n. 172, p. 33, doi. 10.3138/ctr.172.007
- Article
20
- Canadian Theatre Review, 2017, n. 172, p. 28, doi. 10.3138/ctr.172.006
- Article
21
- Canadian Theatre Review, 2017, n. 172, p. 23, doi. 10.3138/ctr.172.005
- Article
22
- Canadian Theatre Review, 2017, n. 172, p. 18, doi. 10.3138/ctr.172.004
- Article
23
- Canadian Theatre Review, 2017, n. 172, p. 14, doi. 10.3138/ctr.172.003
- Article
24
- Canadian Theatre Review, 2017, n. 172, p. 9, doi. 10.3138/ctr.172.002
- Article
25
- Canadian Theatre Review, 2017, n. 172, p. 5, doi. 10.3138/ctr.172.001
- Article
26
- Canadian Theatre Review, 2017, n. 171, p. 122, doi. 10.3138/ctr.171.023
- Article
27
- Canadian Theatre Review, 2017, n. 171, p. 120, doi. 10.3138/ctr.171.022
- Article
29
- Canadian Theatre Review, 2017, n. 171, p. 113, doi. 10.3138/ctr.171.020
- Article
30
- Canadian Theatre Review, 2017, n. 171, p. 110, doi. 10.3138/ctr.171.019
- Article
31
- Canadian Theatre Review, 2017, n. 171, p. 106, doi. 10.3138/ctr.171.018
- Article
32
- Canadian Theatre Review, 2017, n. 171, p. 104, doi. 10.3138/ctr.171.017
- Article
34
- Canadian Theatre Review, 2017, n. 171, p. 100, doi. 10.3138/ctr.171.015
- Article
37
- Canadian Theatre Review, 2017, n. 171, p. 67, doi. 10.3138/ctr.171.012
- Article
40
- Canadian Theatre Review, 2017, n. 171, p. 50, doi. 10.3138/ctr.171.009
- Article
41
- Canadian Theatre Review, 2017, n. 171, p. 42, doi. 10.3138/ctr.171.008
- Article
42
- Canadian Theatre Review, 2017, n. 171, p. 5, doi. 10.3138/ctr.171.001
- Article
44
- 2017
- Question & Answer
45
- Canadian Theatre Review, 2017, n. 171, p. 22, doi. 10.3138/ctr.171.004
- Article
46
- Canadian Theatre Review, 2017, n. 171, p. 14, doi. 10.3138/ctr.171.003
- Article
49
- 2017
- Lim, Milton;
- Rosario, Joyce
- Festival Review