Out for Blood: IDENTITY, COLONIALISM AND VAMPIRES IN FIREBITE.
- Published in:
- 2022
- By:
- Publication type:
- Performance Review
Works matching IS 03122654 AND DT 2022
Results: 95
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Strictly Ballroom.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
3
Finding the Rhythm: Ambition and Responsibility in Dingo.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
4
Making a Scene: Telling Stories and Engaging Audiences on TikTok.
- Published in:
- Metro, 2022, n. 214, p. 108
- By:
- Publication type:
- Article
5
Bad Influence: HANNAH BARLOW AND KANE SENES ON BALANCING HORROR AND SOCIAL MEDIA SATIRE IN SISSY.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
6
CATHARTIC MOVES: Competition and Community in Luke Cornish’s Keep Stepping.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
7
PRECIOUS TIME: Family Life and Togetherness in Sari Braithwaite’s Because We Have Each Other.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
8
Entangled Lives: Trauma, Attachment and Survival in My Brilliant Friend and Pachinko.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
9
STARTING AFRESH: Trauma and Compassion in Lachlan McLeod’s Clean.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
10
Cinema Science: Into the Multiverse.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
11
Out of Water: GENRE, TURKISH CINEMA AND EMIN ALPER’S BURNING DAYS.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
12
No Place to Run: INESCAPABLE POLITICS IN MOUNIA AKL’S COSTA BRAVA, LEBANON.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
13
Taking Flight: DECEPTION AND IMPOSTOR SYNDROME IN MICHELLE SAVILL’S MILLIE LIES LOW.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
14
THE PAST FLOWS INTO THE FUTURE: Kasimir Burgess’ Franklin.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
15
LIFE ON SHOW: The Ethical Quandaries of Jason van Genderen’s Everybody’s Oma.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
16
Speaking in Riddles: SEX, COMEDY AND SUBTITLES IN ARMAĞAN BALLANTYNE’S NUDE TUESDAY.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
17
Spinning Tales: MYTH AND MAGIC IN GEORGE MILLER’S THREE THOUSAND YEARS OF LONGING.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
18
A Little Less Conversation: THE CONVENIENT OMISSIONS OF BAZ LUHRMANN’S ELVIS.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
19
Playing Pretend: SHIFTING ROLES IN SARA KERN’S MOJA VESNA.
- Published in:
- Metro, 2022, n. 214, p. 18
- By:
- Publication type:
- Article
20
Dark Symbols: VIOLENT AWAKENING IN DEL KATHRYN BARTON’S BLAZE.
- Published in:
- Metro, 2022, n. 214, p. 12
- By:
- Publication type:
- Article
21
Nurturing Development: VicScreen’s Indie Games Showcase.
- Published in:
- 2022
- By:
- Publication type:
- Festival Review
22
Bringing the World to Australia: Benjamin Zeccola on Palace Cinemas’ Global Festival Slate.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
23
What Have the ABC Archives Ever Done for Us?
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
24
Goodbye Neighbours; Hello Reality.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
25
Cinematic Devices: Darcy Yuille on One Punch and Using Everyday Technology to Advantage.
- Published in:
- Metro, 2022, n. 213, p. 124
- By:
- Publication type:
- Article
26
Celia.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
27
‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
28
War Stories: Media Coverage of the Russian Invasion of Ukraine.
- Published in:
- Metro, 2022, n. 213, p. 100
- By:
- Publication type:
- Article
29
Period Drama: A Turning Red Study Guide.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
30
Cinema Science: Cosmic Collisions and Disaster Denialism in Don’t Look Up.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
31
A God Is Born: RELIGION AND THE ABSURD IN RITWIK PAREEK’S DUG DUG.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
32
Adelaide Dreams Electric: IMMERSIVE POSSIBILITIES AT ADELAIDE FRINGE.
- Published in:
- 2022
- By:
- Publication type:
- Festival Review
33
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
34
An Acquired Taste: Warwick Ross and Rob Coe on Blind Ambition.
- Published in:
- 2022
- By:
- Publication type:
- Interview
35
Burnishing an Icon: Madeleine Martiniello on Palazzo di Cozzo.
- Published in:
- Metro, 2022, n. 213, p. 60
- By:
- Publication type:
- Article
36
Stolen Lives: Confronting the Past in Allan Clarke’s The Bowraville Murders.
- Published in:
- Metro, 2022, n. 213, p. 56
- By:
- Publication type:
- Article
37
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
38
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
39
In. the Driver’s Seat: THE RELATABLE RADICALISM OF DAVID EASTEAL’S THE PLAINS.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
40
‘Now You’re at Home’: THE POWER OF MUSIC IN MACARIO DE SOUZA’S 6 FESTIVALS.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
41
Breaking Point: GRIEF AND REBIRTH IN MATTHEW J SAVILLE’S JUNIPER.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
42
Aspirational Delight: THE BLAND FANTASIES OF RENÉE WEBSTER’S HOW TO PLEASE A WOMAN.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
43
Future Projection: THE EMOTIONAL LANDSCAPE OF IVAN SEN’S LOVELAND.
- Published in:
- 2022
- Publication type:
- Film/TV Criticism and Review
44
Staying Afloat: TYLER ATKINS ON BOSCH & ROCKIT.
- Published in:
- 2022
- By:
- Publication type:
- Interview
45
‘New Rivers Spin Inside’: WOMEN AND WITCHCRAFT IN GORAN STOLEVSKI’S YOU WON’T BE ALONE.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
46
Sustainable Growth for All: Meet Australia’s First Videogame Union.
- Published in:
- Metro, 2022, n. 213, p. 7
- By:
- Publication type:
- Article
47
End of an Era: Raging Fire and the Shifting Fortunes of Hong Kong Cinema.
- Published in:
- Metro, 2022, n. 213, p. 6
- By:
- Publication type:
- Article
48
Objects of Desire: The Female Body and the Male Gaze in Sirens.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
49
Student Films Take Centre Stage in the AFTRS Documentary Showcase.
- Published in:
- Metro, 2022, n. 213, p. 4
- By:
- Publication type:
- Article
50
Rocking the Foundations.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review