Bach revisited, received and recorded.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
Works matching IS 03061078 AND DT 2014 AND VI 42 AND IP 2
Results: 27
1
2
Abstracts.
- Published in:
- 2014
- Publication type:
- Abstract
3
Baroque violin music.
- Published in:
- 2014
- By:
- Publication type:
- Music Review
4
English and Scottish instrumental music.
- Published in:
- 2014
- By:
- Publication type:
- Music Review
5
How do you like your Haydn?
- Published in:
- 2014
- By:
- Publication type:
- Music Review
6
Notation between theory and practice.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
7
Understanding the medieval refrain.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
8
News and events.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau043
- Publication type:
- Article
9
Bach’s use of the single-note ornament in the Goldberg Variations.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 259, doi. 10.1093/em/cau030
- By:
- Publication type:
- Article
10
Telemann, old and new.
- Published in:
- 2014
- By:
- Publication type:
- Music Review
11
Notes inégales: a definitive new parameter.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 273, doi. 10.1093/em/cau029
- By:
- Publication type:
- Article
12
Zelenka, sacred and secular.
- Published in:
- 2014
- By:
- Publication type:
- Music Review
13
Gombert, Thiebault, Crecquillon, Canis, Payen and the chapel of Charles V.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 191, doi. 10.1093/em/cau027
- By:
- Publication type:
- Article
14
Producing editions of Cavalli.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
15
‘A Debt contracted in Italy’: Ferdinando Tenducci in a London court and prison.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau028
- By:
- Publication type:
- Article
16
Editorial.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau052
- By:
- Publication type:
- Article
17
Early music in the modern era.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
18
Pintoricchio’s Musica of the Sala delle Arti Liberali, Palazzi Pontifici, Vatican.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau042
- By:
- Publication type:
- Article
19
Opera librettos and British politics.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
20
Vivaldi concertos and church music.
- Published in:
- 2014
- By:
- Publication type:
- Music Review
21
Edited out: note-blackening and mensural notation in 17th-century dance music from Leipzig.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau035
- By:
- Publication type:
- Article
22
Advertisers’ index.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 332, doi. 10.1093/em/cau057
- Publication type:
- Article
23
The art of 18th-century arrangements.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
24
A rule made to be broken: on Zarlino, Vicentino, Willaert and parallel congruent imperfect consonances.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau031
- By:
- Publication type:
- Article
25
Bach’s Art of Fugue: suggestions for the last gap.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1
- By:
- Publication type:
- Article
26
The instrumental body in the age of Mozart: science, aesthetics and performances of the self.
- Published in:
- Early Music, 2014, v. 42, n. 2, p. 1, doi. 10.1093/em/cau044
- By:
- Publication type:
- Article
27
Clavichords and other claviers.
- Published in:
- 2014
- By:
- Publication type:
- Music Review