Editorial.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 487, doi. 10.1093/em/car115
- By:
- Publication type:
- Article
Works matching IS 03061078 AND DT 2011 AND VI 39 AND IP 4
Results: 39
1
2
Purcell's elusive life.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
3
Medieval repertories.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
4
A Mozart bonanza.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
5
‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 547, doi. 10.1093/em/car083
- By:
- Publication type:
- Article
6
Instrumental fantasy in the Habsburg lands.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
7
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
- By:
- Publication type:
- Article
8
Abstracts.
- Published in:
- 2011
- Publication type:
- Abstract
9
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
- By:
- Publication type:
- Article
10
Index for 2011.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 673, doi. 10.1093/em/car124
- Publication type:
- Article
11
Fortunate Iberia.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
12
Advertisers' Index.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 683, doi. 10.1093/em/car118
- Publication type:
- Article
13
Bach in Edinburgh.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
14
Kroměříž explored.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
15
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 489, doi. 10.1093/em/car081
- By:
- Publication type:
- Article
16
Mozart: text and interaction.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
17
‘Kleinmeister’ music—A conflict of interests?
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
18
A Viennese woman composer.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
19
New variations on Bach’s chorus.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
20
J. S. Bach’s Trauer-Music for Prince Leopold: clarification and reconstruction.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 587, doi. 10.1093/em/car104
- By:
- Publication type:
- Article
21
News and events.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 668, doi. 10.1093/em/car111
- Publication type:
- Article
22
Celebrating the Eton Choirbook.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
23
More on Vivaldi in Switzerland.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 597, doi. 10.1093/em/car102
- By:
- Publication type:
- Article
24
Frescobaldi keyboard music.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
25
Renaissance masterworks.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
26
The lives of German musicians in novels and autobiographies.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
27
The fortepiano at a crossroads.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
28
D’Anglebert in multiple texts.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
29
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
- By:
- Publication type:
- Article
30
Period-instrument performances of choral works, 1794–1846.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
31
Monteverdi past and present.
- Published in:
- 2011
- By:
- Publication type:
- Music Review
32
‘The ripienists must also be at least eight, namely two for each part’: The Leipzig line of 1730—some observations.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 575, doi. 10.1093/em/car101
- By:
- Publication type:
- Article
33
English Masses at home and abroad.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
34
Instrumental Handel.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
35
A classicist tackles opera.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
36
The beginnings of Christian singing.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
37
Magnano Clavichord Symposium.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
38
Significance and effect of the stile antico in Handel's oratorios.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 563, doi. 10.1093/em/car071
- By:
- Publication type:
- Article
39
Buxtehude vocal music.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review