Works matching IS 03046257 AND DT 2009 AND VI 69 AND IP 1
Results: 24
Multi-Layered Conflicts with the Norm: Gender and Cultural Diversity in Two Comedies of the German Enlightenment.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 141
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"To be educated is to become a Harlequin": Cross-Skinning as Carnivalesque Hybridity in Michel Serres, Hannah Höch's Dada, and Orlan's Body Art.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 119
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Where No Woman Has Gone Before: Humour and Gender Crossing in Star Trek's Voyager and Enterprise.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 103
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"From now on, I am Carmen": Imagining Cross-Dressing as Comic Protest in the Life and Work of Romanian-German Author Franz Hodjak.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 93
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"A comic turn, turned serious": Humour, Body Modification, and the Natural in Fay Weldon's The Life and Loves of a She Devil.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 81
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"Kiss a white Galathea, she will laugh and blush": Laughter, Blush, and Gender Roles in Gottfried Keller's Novella Cycle A Formula for Love. The Epigram (1881).
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 67
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Subversions of Gender Identities through Laughter and the Comic?
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 49
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The Joy of Anti-Art: Subversion through Humour in Dada.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 371
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Comparing Same-Gender and Opposite-Gender Conversations: a Laughing Matter?
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 355
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Judith Butler and the Problem of Adequacy, or: The Epistemological Dimension of Laughter.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 347
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Aletheia as Striptease: Gendered Allegories of Truth in Heidegger, Gorgias, and Barthes.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 329
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May I Laugh about Women's Lib? or: The Difficult Relationship of Humour and Feminism in Margaret Atwood, Caryl Churchill, and Helen Fielding.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 315
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A Short Introduction to Theories of Humour, the Comic, and Laughter.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 17
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Affirmative Humour in Bully Herbig's Parody of Star Wars/Star Trek: (T) Raumschiff Surprise.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 297
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- Article
Couples and Friends: Comic Strategies and Social Structures in German and American Comedy Series.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 285
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Mockumentalism: Re-Casting the Void in Contemporary British TV Comedy.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 269
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- Article
"But I'm a Lady!" Undoing Gender Bending in Contemporary British Radio Comedy.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 251
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Social Satire, Literary Parody, and Gender Critique in French and German Fairy Tales of the Enlightenment: Jean-Jacques Rousseau and Friederike Helene Unger.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 233
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Moral Ideal and Physical Desire: Gender Roles, Sex, and Comic Elements in the Rococo Tales of Christoph Martin Wieland.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 221
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Black and White in Color or Black Victory? The Comic Effect of Displacement in the Film Noirs et blancs en couleur (1976) by Jean-Jacques Annaud.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 187
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Subverting the Pantragic Heroine: Nestroy against Hebbel.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 169
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Indigenous Laughter: The Voice of the Other in Tales from the "South Seas".
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 155
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Introduction.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 7
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The City as Stage of Transgression: Performance, Picaresque Reminiscences, and Linguistic Incongruity in Emine S. Özdamar's The Bridge of the Golden Horn.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2009, v. 69, n. 1, p. 201
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