Works matching IS 03046257 AND DT 2007 AND VI 63 AND IP 1
Results: 25
Alexander Kluge: Utopian Cinema.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 375
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Adaptation as a Process of Interpretation: Nowhere in Africa — From Stefanie Zweig to Caroline Link.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 363
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Taking Doris Dörrie Seriously: Literature, Film, Gender.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 347
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Transposition or Translation? Fiction to Film in Doris Dörrie's Nobody Loves Me and Am I Beautiful?
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 333
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Robert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 319
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Intermediality and the Intercultural Dimension in Karin Brandauer's Film Sidonie based on Erich Hacki's Abschied von Sidonie.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 307
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Sex, Violence and Schubert. Michael Haneke's La Pianiste and Elfriede Jelinek's Die Kiavierspielerin.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 293
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- Article
"But Somehow it Was Only Television": West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 269
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Thomas Brussig's Ostalgie in Print and on Celluloid.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 251
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"Literatur und Linse": Enzensberger Goes to the Movies.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 235
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A German Poet at the Movies: Rolf Dieter Brinkmann.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 223
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From Bestseller to Failure? Heinrich Böll's Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire).
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 207
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"Their Adam's Apple Put Them on Screen": Hansjürgen Pohiand's Cat and Mouse and the Narrative of the Male Body.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 191
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Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff's Die Blechtrommel.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 169
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Two Foxes of Glenarvon.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 157
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Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 141
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The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O…" to Christoph Stark's Julietta.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 38
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"Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue Engel.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 119
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Perceptions of the Self as the Other: Double-Visions in Literature and Film.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 89
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Reflections on the Literary Antecedents of Murnau's Tabu.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 81
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"Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 59
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German Film Adaptations of Jewish Characters in Thomas Mann.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 133
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Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul?
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 26
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Introduction.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 10
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Acknowledgements.
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- Amsterdamer Beiträge zur Neueren Germanistik, 2007, v. 63, n. 1, p. 9
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