Review: Camera Geologica: An Elemental History of Photography, by Siobhan Angus.
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- Afterimage, 2025, v. 52, n. 2, p. 87, doi. 10.1525/aft.2025.52.2.87
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- Article
Works matching IS 03007472 AND DT 2025 AND VI 52 AND IP 2
Results: 9
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Digital Witness: Revolutions in Design, Photography, and Film. Los Angeles County Museum of Art.
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- Afterimage, 2025, v. 52, n. 2, p. 81, doi. 10.1525/aft.2025.52.2.81
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- Article
3
Karice Mitchell: economy of pleasure. Silke Linder, New York City.
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- Afterimage, 2025, v. 52, n. 2, p. 77, doi. 10.1525/aft.2025.52.2.77
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- Article
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Tina Girouard: SIGN-IN. Center for Art, Research and Alliances (CARA), New York City.
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- Afterimage, 2025, v. 52, n. 2, p. 72, doi. 10.1525/aft.2025.52.2.72
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- Article
5
From Gallery to the Globe: Evoking Environmental Responsibility in Australian Interactive Art, 1990–2010.
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- Afterimage, 2025, v. 52, n. 2, p. 47, doi. 10.1525/aft.2025.52.2.47
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- Article
6
Enigmas of the Ancient Jesuit Guaraní Missions: A Visual Essay on the World Heritage Site of São Miguel Arcanjo.
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- Afterimage, 2025, v. 52, n. 2, p. 4, doi. 10.1525/aft.2025.52.2.4
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- Article
7
Decadent Scenography: Angel Rose Denman, Hollywood Goth.
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- Afterimage, 2025, v. 52, n. 2, p. 24, doi. 10.1525/aft.2025.52.2.24
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- Article
8
Living, Writing, Imagining (at) the End of Creative Capitalism.
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- Afterimage, 2025, v. 52, n. 2, p. 16, doi. 10.1525/aft.2025.52.2.16
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9
From the Editor.
- Published in:
- Afterimage, 2025, v. 52, n. 2, p. 1, doi. 10.1525/aft.2025.52.2.1
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- Article