On Social Media Photography: Memorials to Black Lives Matter in Kris Graves's A Bleak Reality.
- Published in:
- Afterimage, 2024, v. 51, n. 2, p. 80, doi. 10.1525/aft.2024.51.2.80
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- Article
Works matching IS 03007472 AND DT 2024 AND VI 51 AND IP 2
Results: 10
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Termites and Rough Theatre: The Video Art of Daniel Boord.
- Published in:
- Afterimage, 2024, v. 51, n. 2, p. 58, doi. 10.1525/aft.2024.51.2.58
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- Publication type:
- Article
3
On the Move: Contemporary Art on Involuntary Displacement, Otherness, and Agency.
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- Afterimage, 2024, v. 51, n. 2, p. 4, doi. 10.1525/aft.2024.51.2.4
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- Article
4
A Forensic Approach to Seeing Slow Violence in Death Alley.
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- Afterimage, 2024, v. 51, n. 2, p. 38, doi. 10.1525/aft.2024.51.2.38
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- Publication type:
- Article
5
The Mythical Context of October 1917: Exploring the Russo-Chinese Relationship and its Artistic Legacy.
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- Afterimage, 2024, v. 51, n. 2, p. 30, doi. 10.1525/aft.2024.51.2.30
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- Article
6
Plant Power!: A Rebuilding of Women's Knowledge in the Work of Ann Shelton.
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- Afterimage, 2024, v. 51, n. 2, p. 15, doi. 10.1525/aft.2024.51.2.15
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- Article
7
Exhibition Review: Wolf Vostell: Dé-coll/age Is Your Life.
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- 2024
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- Art Exhibition Review
8
Review: Strange Hours: Photography, Memory, and the Lives of Artists, by Rebecca Bengal.
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- 2024
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- Book Review
9
Exhibition Review: Meggan Gould: Sorry, No Pictures.
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- 2024
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- Publication type:
- Art Exhibition Review
10
From the Editor.
- Published in:
- Afterimage, 2024, v. 51, n. 2, p. 1, doi. 10.1525/aft.2024.51.1.1
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- Article