The Self as Object in Modernist Fiction: James, Joyce, Hemingway/The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud.Published in:2013By:Hatten, CharlesPublication type:Book Review
A Production of Daisy Miller: A Comedy.Published in:Henry James Review, 2013, v. 34, n. 2, p. 197, doi. 10.1353/hjr.2013.0011By:Wortman, William A.Publication type:Article
Textual Monuments/Crumbling Idols; or, What We Never Knew about Henry James (and Never Thought to Ask).Published in:Henry James Review, 2013, v. 34, n. 2, p. 183, doi. 10.1353/hjr.2013.0019By:Anesko, MichaelPublication type:Article
Pathological Commodification, Contagious Impressions, and Dead Metaphors: Undiagnosing Consumption in The Wings of the Dove.Published in:2013By:Spunt, Nicola IvyPublication type:Literary Criticism
"An Embroidered Veil of Sound": The Word in the Machine in Henry James's In the Cage.Published in:2013By:Hutchison, HazelPublication type:Literary Criticism
Monster Hotels, Elastic Men, and the Bourgeois Age.Published in:2013By:Moore, RobbiePublication type:Essay